Voices of the Street

Abstract In an era of technological advancements and user-centric platforms, artistic expressions have emerged as powerful mediums, particularly in regions marked by uncertainty like Kashmir. This study examines the contemporary Kashmiri rap song “Downtown” by a young content creator, analyzing how youth masculinity is performed lyrically and visually. Garnering millions of YouTube views, the song transcends entertainment, serving as a critical tool for negotiating societal narratives and power structures. Through a qualitative approach, the research investigated the portrayal of masculinity and urban space in downtown Srinagar, revealing two key themes: women's marginalization within dissent narratives and the construction of downtown as a masculine space. The song strategically employed humor and cultural references, simultaneously elevating a patriarchal masculine narrative while marginalizing women's perspectives.

Authors

Publication Details

Journal
Boyhood Studies
Published
2024-12-01
DOI
https://doi.org/10.3167/bhs.2024.170206
Primary Topic
South Asian Studies and Conflicts
Type
article
Field-Weighted Citation Impact
0.00
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article

Voices of the Street

Mohd. Asif Mohd. Asif, Arbeena Arbeena, M.Ibrahim Wani
Boyhood Studies
South Asian Studies and Conflicts
article

Voices of the Street

Mohd. Asif Mohd. Asif, Arbeena Arbeena, M.Ibrahim Wani
article en

Abstract

Abstract In an era of technological advancements and user-centric platforms, artistic expressions have emerged as powerful mediums, particularly in regions marked by uncertainty like Kashmir. This study examines the contemporary Kashmiri rap song “Downtown” by a young content creator, analyzing how youth masculinity is performed lyrically and visually. Garnering millions of YouTube views, the song transcends entertainment, serving as a critical tool for negotiating societal narratives and power structures. Through a qualitative approach, the research investigated the portrayal of masculinity and urban space in downtown Srinagar, revealing two key themes: women's marginalization within dissent narratives and the construction of downtown as a masculine space. The song strategically employed humor and cultural references, simultaneously elevating a patriarchal masculine narrative while marginalizing women's perspectives.

Boyhood StudiesVol. 17(2)
Openalex Percentile: Top 54%
South Asian Studies and Conflicts
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