Vibing to the furthest past: the utilisation of folklore and mythology in the prehistory exhibition at the National Museum of Finland

In this article, we examine the prehistory exhibition at the National Museum of Finland. The exhibition opened to the public in 2017, closed in 2023, and will reopen in 2027. The analysis is based on an examination of the exhibition texts and the immersive, multisensory elements incorporated into the exhibition. We argue that the representation of folklore and mythology in the exhibition is somewhat vague, merely serving to reimagine and embellish the distant past. It appears that folkloric elements are employed to ‘fill the gaps’ when the archaeological record provides insufficient or no information to portray individuals from prehistoric times. This results in the formation of intricate temporal interpretations wherein the archaeological periodisation is obscured and intertwined with the mythological past. This intertwining of archaeological artefacts, the ‘touchable’ past, and Finnic folklore and mythology highlights the difficulty of presenting the prehistoric past in museum exhibitions.

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Publication Details

Journal
International Journal of Heritage Studies
Published
2025-03-11
DOI
https://doi.org/10.1080/13527258.2025.2476467
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

Vibing to the furthest past: the utilisation of folklore and mythology in the prehistory exhibition at the National Museum of Finland

Heidi Henriikka Mäkelä, Liisa Kunnas
International Journal of Heritage Studies
Museums and Cultural Heritage
article

Vibing to the furthest past: the utilisation of folklore and mythology in the prehistory exhibition at the National Museum of Finland

Heidi Henriikka Mäkelä, Liisa Kunnas
article en

Abstract

In this article, we examine the prehistory exhibition at the National Museum of Finland. The exhibition opened to the public in 2017, closed in 2023, and will reopen in 2027. The analysis is based on an examination of the exhibition texts and the immersive, multisensory elements incorporated into the exhibition. We argue that the representation of folklore and mythology in the exhibition is somewhat vague, merely serving to reimagine and embellish the distant past. It appears that folkloric elements are employed to ‘fill the gaps’ when the archaeological record provides insufficient or no information to portray individuals from prehistoric times. This results in the formation of intricate temporal interpretations wherein the archaeological periodisation is obscured and intertwined with the mythological past. This intertwining of archaeological artefacts, the ‘touchable’ past, and Finnic folklore and mythology highlights the difficulty of presenting the prehistoric past in museum exhibitions.

International Journal of Heritage StudiesVol. 31(5)
University of Helsinki (FI), Finnish Literature Society (FI), Aalto University (FI)
Reduced inequalities
Openalex Percentile: Top 96%
Museums and Cultural Heritage
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