The Imperial Gothic in British India: Female Demonization in Anita Desai's "Voices in the City" (1965) and Bharati Mukherjee's "Jasmine" (1989)

This article aims primarily to investigate how the British Empire, through its missionary activities, distorted the Hindu pantheon, narrative, and iconography in order to evangelize the indigenous population while entertaining the Anglo-Saxon public. The reverends and chroniclers sent to the East developed a comprehensive bestiary of Hindu deities, imbuing them with demonic and vampiric qualities to undermine the theological foundations of the subcontinent. The second part of this article applies these observations through an analysis of two Indo-Anglian novels that exemplify this colonial phenomenon by demonizing the goddess Kali through their female protagonists. El presente artículo busca, en primer lugar, investigar cómo el Imperio británico a través de la actividad misionera distorsionó el panteón, la narrativa e iconografía hinduista con el fin de catequizar a la población indígena a la par que entretener al público anglosajón. Los reverendos y cronistas enviados a Oriente desarrollaron todo un bestiario de dioses hinduistas, dotándolos de una naturaleza demoníaca y vampírica con el fin de socavar los andamiajes teológicos del subcontinente. La segunda parte de este artículo pone en práctica las observaciones anteriores a través de dos novelas indoinglesas que ejemplifican este fenómeno colonial con la demonización de la diosa Kali por medio de sus protagonistas femeninas.

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Publication Details

Journal
Philologica Canariensia
Published
2025-03-11
DOI
https://doi.org/10.20420/phil.can.2025.757
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
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article

The Imperial Gothic in British India: Female Demonization in Anita Desai's "Voices in the City" (1965) and Bharati Mukherjee's "Jasmine" (1989)

Jairo Adrián Hernandez
Philologica Canariensia
South Asian Cinema and Culture
article

The Imperial Gothic in British India: Female Demonization in Anita Desai's "Voices in the City" (1965) and Bharati Mukherjee's "Jasmine" (1989)

Jairo Adrián Hernandez
article en

Abstract

This article aims primarily to investigate how the British Empire, through its missionary activities, distorted the Hindu pantheon, narrative, and iconography in order to evangelize the indigenous population while entertaining the Anglo-Saxon public. The reverends and chroniclers sent to the East developed a comprehensive bestiary of Hindu deities, imbuing them with demonic and vampiric qualities to undermine the theological foundations of the subcontinent. The second part of this article applies these observations through an analysis of two Indo-Anglian novels that exemplify this colonial phenomenon by demonizing the goddess Kali through their female protagonists. El presente artículo busca, en primer lugar, investigar cómo el Imperio británico a través de la actividad misionera distorsionó el panteón, la narrativa e iconografía hinduista con el fin de catequizar a la población indígena a la par que entretener al público anglosajón. Los reverendos y cronistas enviados a Oriente desarrollaron todo un bestiario de dioses hinduistas, dotándolos de una naturaleza demoníaca y vampírica con el fin de socavar los andamiajes teológicos del subcontinente. La segunda parte de este artículo pone en práctica las observaciones anteriores a través de dos novelas indoinglesas que ejemplifican este fenómeno colonial con la demonización de la diosa Kali por medio de sus protagonistas femeninas.

Philologica Canariensia(31 (2025))
Universidad de La Laguna (ES)
Openalex Percentile: Top 96%
South Asian Cinema and Culture
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