The Nostoi of Two Acclaimed Immigrant Picturebook Creators

Peter Sís and Allen Say are two acclaimed immigrant picturebook creators who travelled illuminating Odysseys, setting sail on boats of image and text. Only a few years after the end of World War II, Caldecott Medal winner Allen Say emigrated to the US from Japan. And during the Cold War, Hans Christian Andersen Award winner Peter Sís fled to the US from the Communist regime of former Czechoslovakia. Even though they came from different cultures, geographies, generations, and emigration experiences, both immigrant artists turned to art to negotiate their yearning for nostos (returning home), solace, and identity. Their negotiation of the paradoxes of nostalgia led them on similar paths: valuing the imagined, reconstructing their homelands and childhoods through and within art, and forming their identity by building on their self-image as artists. Their highly autobiographical picturebooks show us how healing, home, and identity may be found in Art and Story.

Authors

Publication Details

Journal
Libri et Liberi
Published
2024-12-31
DOI
https://doi.org/10.21066/carcl.libri.13.2.3
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Nostoi of Two Acclaimed Immigrant Picturebook Creators

Petros Panaou
Libri et Liberi
Postcolonial and Cultural Literary Studies
article

The Nostoi of Two Acclaimed Immigrant Picturebook Creators

Petros Panaou
article en

Abstract

Peter Sís and Allen Say are two acclaimed immigrant picturebook creators who travelled illuminating Odysseys, setting sail on boats of image and text. Only a few years after the end of World War II, Caldecott Medal winner Allen Say emigrated to the US from Japan. And during the Cold War, Hans Christian Andersen Award winner Peter Sís fled to the US from the Communist regime of former Czechoslovakia. Even though they came from different cultures, geographies, generations, and emigration experiences, both immigrant artists turned to art to negotiate their yearning for nostos (returning home), solace, and identity. Their negotiation of the paradoxes of nostalgia led them on similar paths: valuing the imagined, reconstructing their homelands and childhoods through and within art, and forming their identity by building on their self-image as artists. Their highly autobiographical picturebooks show us how healing, home, and identity may be found in Art and Story.

Libri et LiberiVol. 13(2)
Openalex Percentile: Top 57%
Postcolonial and Cultural Literary Studies
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