Political Dimensions of Nostalgia in Picturebooks

In picturebooks, nostalgia is connected to displacement, and both are usually treated in an apolitical and ahistorical manner. In this paper, the political aspects of nostalgia are examined, drawing on a sample of picturebooks with a clear political orientation, such as those of the nostalgic sixth Caryatid, the column-woman that used to hold up the roof of the Erechtheion on the Acropolis. In picturebooks about the abducted sixth Caryatid who feels intense nostalgia, personification, first-person narration, focalisation on the displaced victim or her lamenting relatives, moving illustration and interpictorial references manage to create a highly emotional text that encourages readers to empathise with the nostalgic Caryatid. In addition, peritextual elements, such as appendices, provide information to adult (co)readers about the political issue, while epitextual activities actively involve young readers in supporting actions. It seems that, when nostalgia serves a political position, it aims both at engaging emotionally and informing young readers, while at the same time pursues mediated reading that enables adult (co)readers to “chaperone” the whole process.

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Publication Details

Journal
Libri et Liberi
Published
2024-12-31
DOI
https://doi.org/10.21066/carcl.libri.13.2.6
Primary Topic
Media, Gender, and Advertising
Type
article
Field-Weighted Citation Impact
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article

Political Dimensions of Nostalgia in Picturebooks

Angela Yannicopoulou
Libri et Liberi
Media, Gender, and Advertising
article

Political Dimensions of Nostalgia in Picturebooks

Angela Yannicopoulou
article en

Abstract

In picturebooks, nostalgia is connected to displacement, and both are usually treated in an apolitical and ahistorical manner. In this paper, the political aspects of nostalgia are examined, drawing on a sample of picturebooks with a clear political orientation, such as those of the nostalgic sixth Caryatid, the column-woman that used to hold up the roof of the Erechtheion on the Acropolis. In picturebooks about the abducted sixth Caryatid who feels intense nostalgia, personification, first-person narration, focalisation on the displaced victim or her lamenting relatives, moving illustration and interpictorial references manage to create a highly emotional text that encourages readers to empathise with the nostalgic Caryatid. In addition, peritextual elements, such as appendices, provide information to adult (co)readers about the political issue, while epitextual activities actively involve young readers in supporting actions. It seems that, when nostalgia serves a political position, it aims both at engaging emotionally and informing young readers, while at the same time pursues mediated reading that enables adult (co)readers to “chaperone” the whole process.

Libri et LiberiVol. 13(2)
National and Kapodistrian University of Athens (GR)
Openalex Percentile: Top 60%
Media, Gender, and Advertising
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