Exploring the Similarities, Differences and Integration of Eastern and Western Aesthetics
Against the backdrop of accelerating globalization, it is of great significance to conduct in - depth research on the similarities, differences, and integration of Eastern and Western aesthetics. This paper traces back the development histories of Eastern and Western aesthetics. Western aesthetics originated from ancient Greece and Rome and has shown a diversified trend after going through the Middle Ages, the Renaissance, the Enlightenment, and into the modern era. Eastern aesthetics is represented by China and Japan. Chinese aesthetics originated in the pre - Qin period and has developed through various dynasties, while Japanese aesthetics is influenced by Chinese culture but also has its own characteristics. The paper deeply analyzes the characteristics of both. Western aesthetics emphasizes rationality and logic, focuses on individual and self - expression, and aims at imitating and reproducing reality. Eastern aesthetics advocates nature and harmony, attaches importance to artistic conception and implicit expression, and emphasizes morality and humanistic spirit. It also compares the differences in aesthetic concepts and artistic expression forms, and explores the different manifestations in the fields of painting, architecture, and literature. By analyzing cases such as the paintings of Li Fangfang, the Western - style gates in the Western Mansions area of the Old Summer Palace, and the fashion designs of Ye Kaiwei, the paper analyzes the integration phenomenon. It points out that this integration brings vitality to artistic creation, promotes cultural exchange, and improves the quality of modern social life. In the future, Eastern and Western aesthetics are expected to further integrate and innovate, promoting the development of human culture.
Authors
- He Jie (ORCID: https://orcid.org/0000-0001-6440-618X)
Publication Details
- Journal
- Journal of Education and Educational Research
- Published
- 2025-02-27
- DOI
- https://doi.org/10.54097/qfh8qq27
- Primary Topic
- Digital Media and Visual Art
- Type
- article
- Field-Weighted Citation Impact
- 0.00