Metaphors & Reality: Merleau-Ponty’s Reversibility in Rūmī’s Lovers & Beloveds

By interpreting Merleau-Ponty's “flesh” as the intertwining of dualities, my paper will show how metaphorical language reveals our non-dualistic and reversible reality by referring to the inter-related or confounding dualities of lover and beloved in the Sufi poetry of Rūmī. The metaphor lies between the writer’s expression of the real and the reader’s imaginal reception of it and mirrors the non-dualistic nature of reality. Using this conception, I will then move on to study the metaphor of lovers/beloveds alternating roles in Rūmī’s poetry, which is grounded in the soteriological and social aspects of Sufi ideas and praxis. Hence, I will essentially be showing how aesthetics and comparative philosophy can prove to be fertile ground for cross-pollination and a more nuanced study of ontology for scholars interested in Merleau-Ponty’s embodiment and Sufi poetry as a form of philosophical discourse.

Authors

Publication Details

Journal
Philosophy East and West
Published
2025-03-01
DOI
https://doi.org/10.1353/pew.2025.a954069
Primary Topic
Philosophy, Ethics, and Existentialism
Type
article
Field-Weighted Citation Impact
0.00
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article

Metaphors & Reality: Merleau-Ponty’s Reversibility in Rūmī’s Lovers & Beloveds

Zahra Rashid
Philosophy East and West
Philosophy, Ethics, and Existentialism
article

Metaphors & Reality: Merleau-Ponty’s Reversibility in Rūmī’s Lovers & Beloveds

Zahra Rashid
article en

Abstract

By interpreting Merleau-Ponty's “flesh” as the intertwining of dualities, my paper will show how metaphorical language reveals our non-dualistic and reversible reality by referring to the inter-related or confounding dualities of lover and beloved in the Sufi poetry of Rūmī. The metaphor lies between the writer’s expression of the real and the reader’s imaginal reception of it and mirrors the non-dualistic nature of reality. Using this conception, I will then move on to study the metaphor of lovers/beloveds alternating roles in Rūmī’s poetry, which is grounded in the soteriological and social aspects of Sufi ideas and praxis. Hence, I will essentially be showing how aesthetics and comparative philosophy can prove to be fertile ground for cross-pollination and a more nuanced study of ontology for scholars interested in Merleau-Ponty’s embodiment and Sufi poetry as a form of philosophical discourse.

Philosophy East and West
Openalex Percentile: Top 95%
Philosophy, Ethics, and Existentialism
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