Allying with Beasts: Rebellious Readings of the Animal as Bridegroom (ATU 425)

This article analyzes the French fairy tale “La Belle et la Bête” (“Beauty and the Beast”), the German folk tale “Das singende springende Löweneckerchen” (“The Singing Springing Lark”), and the Spanish folk tale “El lagarto de las siete camisas” (“The Lizard with the Seven Shirts”) from the vantage point of feminist fairy tale studies and posthumanism. In particular, the article discusses the ways in which the female protagonists and their enchanted, beastly husbands become-with-each-other. The relationships between the female protagonists and their husbands are here taken as indicative of a recognition of the necessary, but often complex and disharmonic, allyship between the human and the nonhuman. The tales showcase different degrees of feminist potential and different ways of acknowledging such transcorporeal interrelations. Moreover, while they arguably transmit patriarchal and aristocratic lessons, their potential for challenging anthropocentric thinking emerges in an affirmative reading. Hence, this article seeks to demonstrate the eco-activist potential of the Western fairy tale tradition.

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Publication Details

Journal
Humanities
Published
2025-03-06
DOI
https://doi.org/10.3390/h14030051
Citations
1
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
15.18
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article

Allying with Beasts: Rebellious Readings of the Animal as Bridegroom (ATU 425)

Per Esben Myren-Svelstad
1 citations
Humanities
Shakespeare, Adaptation, and Literary Criticism
15.18
article

Allying with Beasts: Rebellious Readings of the Animal as Bridegroom (ATU 425)

Per Esben Myren-Svelstad
article en
1 citations

Abstract

This article analyzes the French fairy tale “La Belle et la Bête” (“Beauty and the Beast”), the German folk tale “Das singende springende Löweneckerchen” (“The Singing Springing Lark”), and the Spanish folk tale “El lagarto de las siete camisas” (“The Lizard with the Seven Shirts”) from the vantage point of feminist fairy tale studies and posthumanism. In particular, the article discusses the ways in which the female protagonists and their enchanted, beastly husbands become-with-each-other. The relationships between the female protagonists and their husbands are here taken as indicative of a recognition of the necessary, but often complex and disharmonic, allyship between the human and the nonhuman. The tales showcase different degrees of feminist potential and different ways of acknowledging such transcorporeal interrelations. Moreover, while they arguably transmit patriarchal and aristocratic lessons, their potential for challenging anthropocentric thinking emerges in an affirmative reading. Hence, this article seeks to demonstrate the eco-activist potential of the Western fairy tale tradition.

HumanitiesVol. 14(3)
Norwegian University of Science and Technology (NO)
Openalex Percentile: Top 3%
Shakespeare, Adaptation, and Literary Criticism
15.18
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