Psychological Facts with Carnival Spirit: Bakhtinian Analysis Of The Film ‘KANTARA’

This comprehensive research presents an extensive analysis of Rishab Shetty's groundbreaking film Kantara(2022) through the theoretical framework of Mikhail Bakhtin's concept of chronotope and carnivalesquetheory. The research examines the intricate ways in which the film incorporates and transforms traditionalelements of folk culture, ritual performances, and social hierarchies to create a narrative that embodiesfundamental Bakhtinian concepts including the grotesque body, carnival laughter, and the temporarysuspension of societal norms. Through meticulous analysis of the film's visual imagery, narrative structure,and cultural context, this study demonstrates how Kantara serves as a contemporary manifestation ofcarnivalesque traditions in cinema while simultaneously addressing crucial social and ecological issues withinIndian society. The research employs a qualitative approach, focusing on carnivalesque elements, culturalstudies, and film theory to explore how the film's representation of the Daiva-Kola ritual creates a uniquecinematic space where traditional hierarchies are simultaneously challenged and reinforced