The Layers of the Land: Urban Space and the Urban Environment in Judy Baca's The Great Wall of Los Angeles

Abstract: Judy Baca's The Great Wall of Los Angeles is a massively scaled muralistic retelling of the history of California from the perspective of marginalized groups, located on a concrete tributary of the Los Angeles River. Here, I argue that this landmark of Chicana muralism bridges understandings of "urban space" and the "urban environment," offering a space to reassess the environmentalisms (plural) of the 1970s and anticipating the concerns of the contemporary environmental justice movement, which emerged in the United States in the 1980s. I consider Baca's position within the Chicana/o Art Movement and her relationship to the LA River, and I address the form, content, and production process of The Great Wall . I also situate the mural alongside the emerging environmental art of the 1970s, contending that Baca's work reroutes the trajectories of this genre and links environmentalist and anticolonial critiques.

Authors

Publication Details

Journal
American Quarterly
Published
2025-03-01
DOI
https://doi.org/10.1353/aq.2025.a953018
Primary Topic
Geographies of human-animal interactions
Type
article
Field-Weighted Citation Impact
0.00
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article

The Layers of the Land: Urban Space and the Urban Environment in Judy Baca's The Great Wall of Los Angeles

Nick Earhart
American Quarterly
Geographies of human-animal interactions
article

The Layers of the Land: Urban Space and the Urban Environment in Judy Baca's The Great Wall of Los Angeles

Nick Earhart
article en

Abstract

Abstract: Judy Baca's The Great Wall of Los Angeles is a massively scaled muralistic retelling of the history of California from the perspective of marginalized groups, located on a concrete tributary of the Los Angeles River. Here, I argue that this landmark of Chicana muralism bridges understandings of "urban space" and the "urban environment," offering a space to reassess the environmentalisms (plural) of the 1970s and anticipating the concerns of the contemporary environmental justice movement, which emerged in the United States in the 1980s. I consider Baca's position within the Chicana/o Art Movement and her relationship to the LA River, and I address the form, content, and production process of The Great Wall . I also situate the mural alongside the emerging environmental art of the 1970s, contending that Baca's work reroutes the trajectories of this genre and links environmentalist and anticolonial critiques.

American QuarterlyVol. 77(1)
Openalex Percentile: Top 96%
Geographies of human-animal interactions
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