Photographing Time

‘Photographing Time’ traces the influence of two coterminous early photographers, Alexander Robert Hogg of Belfast, Ireland (1870-1939) and Sergei Prokúdin-Gorsky of St Petersburg, Russia (1863-1944) on my own practice as a poet. I have written extensively about early photography, particularly (though not exclusively) in my collection Parallax (2012): a work whose very title is a photographic term, and which functions as an extended meditation on mortality, socio-economic inequality, the aesthetics and ethics of framing, and the knowability – or otherwise – of historical fact.

Authors

Publication Details

Journal
Textes et contextes
Published
2024-12-15
DOI
https://doi.org/10.58335/textesetcontextes.5017
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Photographing Time

Sinéad Morrissey
Textes et contextes
Photography and Visual Culture
article

Photographing Time

Sinéad Morrissey
article en

Abstract

‘Photographing Time’ traces the influence of two coterminous early photographers, Alexander Robert Hogg of Belfast, Ireland (1870-1939) and Sergei Prokúdin-Gorsky of St Petersburg, Russia (1863-1944) on my own practice as a poet. I have written extensively about early photography, particularly (though not exclusively) in my collection Parallax (2012): a work whose very title is a photographic term, and which functions as an extended meditation on mortality, socio-economic inequality, the aesthetics and ethics of framing, and the knowability – or otherwise – of historical fact.

Textes et contextes(19-2)
Openalex Percentile: Top 63%
Photography and Visual Culture
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Photographing Time — Sinéad Morrissey · Textes et contextes (2024) | TGRS Research Map | TGRS