THE REPRESENTATION OF CHINESE CULTURAL IDENTITY IN TRADITIONAL FESTIVALS-THEMED ARTWORKS OF NANYANG ARTISTS

As China's doors opened to the world, an increasing number of Chinese people chose to leave their homeland and seek opportunities abroad. The "migration to Nanyang" , the largest and most far-reaching cross-border migration wave in modern Chinese history, not only led Chinese migrants in the Nanyang region to uphold their ethnic beliefs, customs, and festivals but also fostered the development of a unique Chinese cultural identity in the area. This study constructs a conceptual framework and adopts qualitative research methods, integrating observation and literature analysis, to examine three festival-themed artworks by Chinese immigrant artists in Nanyang (Lantern Festival, Mid-Autumn Festival, and Chinese New Year). The research aims to explore the cultural identity of Nanyang Chinese toward traditional Chinese festivals and its multifaceted representations. These artworks not only reflect the migrants' adherence to festival customs, decorations, foods, and activities but also highlight their efforts to preserve and practice the spirit of Chinese culture within a foreign environment.

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Publication Details

Journal
Quantum Journal of Social Sciences and Humanities
Published
2025-02-28
DOI
https://doi.org/10.55197/qjssh.v6i1.600
Citations
1
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
3.54
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article

THE REPRESENTATION OF CHINESE CULTURAL IDENTITY IN TRADITIONAL FESTIVALS-THEMED ARTWORKS OF NANYANG ARTISTS

Issarezal Ismail, GE YAQIAN
1 citations
Quantum Journal of Social Sciences and Humanities
Digital Media and Visual Art
3.54
article

THE REPRESENTATION OF CHINESE CULTURAL IDENTITY IN TRADITIONAL FESTIVALS-THEMED ARTWORKS OF NANYANG ARTISTS

Issarezal Ismail, GE YAQIAN
article en
1 citations

Abstract

As China's doors opened to the world, an increasing number of Chinese people chose to leave their homeland and seek opportunities abroad. The "migration to Nanyang" , the largest and most far-reaching cross-border migration wave in modern Chinese history, not only led Chinese migrants in the Nanyang region to uphold their ethnic beliefs, customs, and festivals but also fostered the development of a unique Chinese cultural identity in the area. This study constructs a conceptual framework and adopts qualitative research methods, integrating observation and literature analysis, to examine three festival-themed artworks by Chinese immigrant artists in Nanyang (Lantern Festival, Mid-Autumn Festival, and Chinese New Year). The research aims to explore the cultural identity of Nanyang Chinese toward traditional Chinese festivals and its multifaceted representations. These artworks not only reflect the migrants' adherence to festival customs, decorations, foods, and activities but also highlight their efforts to preserve and practice the spirit of Chinese culture within a foreign environment.

Quantum Journal of Social Sciences and HumanitiesVol. 6(1)
Universiti Teknologi Petronas (MY)
Openalex Percentile: Top 12%
Digital Media and Visual Art
3.54
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THE REPRESENTATION OF CHINESE CULTURAL IDENTITY IN TRADITIONAL FESTIVALS-THEMED ARTWORKS OF NANYANG ARTISTS — Issarezal Ismail, GE YAQIAN · Quantum Journal of Social Sciences and Humanities (2025) | TGRS Research Map | TGRS