Performing Music and Performing Teaching: A Pilot Study on the Experiences and Anxieties of Preservice Music Teachers

Anxiety related to music performance and to teaching in non-music fields has been studied extensively; however, anxiety pertaining to the performative roles specific to music teachers, both preservice and inservice, has yet to be considered. This pilot study was designed to take the first steps in examining music education students’ anxieties in the context of preservice teaching. Twenty-seven music education students completed a questionnaire about their preservice teaching experience that included the Kenny Music Performance Anxiety Inventory, modified and divided into two sections. Participants responded to the first section (general life questions) once and the second (performance contexts) three times in direct succession, based on their experiences when performing, teaching, and conducting. No significant differences in anxiety scores were noted across the three contexts, indicating a similar degree of anxiety when performing as a musician and as a teacher. Implications for teacher educators and researchers are discussed.

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Publication Details

Journal
Journal of Music Teacher Education
Published
2025-02-27
DOI
https://doi.org/10.1177/10570837251318019
Citations
1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
19.03
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article

Performing Music and Performing Teaching: A Pilot Study on the Experiences and Anxieties of Preservice Music Teachers

Charlene Ryan, EA McKay, Gina Ryan
1 citations
Journal of Music Teacher Education
Diverse Music Education Insights
19.03
article

Performing Music and Performing Teaching: A Pilot Study on the Experiences and Anxieties of Preservice Music Teachers

Charlene Ryan, EA McKay, Gina Ryan
article en
1 citations

Abstract

Anxiety related to music performance and to teaching in non-music fields has been studied extensively; however, anxiety pertaining to the performative roles specific to music teachers, both preservice and inservice, has yet to be considered. This pilot study was designed to take the first steps in examining music education students’ anxieties in the context of preservice teaching. Twenty-seven music education students completed a questionnaire about their preservice teaching experience that included the Kenny Music Performance Anxiety Inventory, modified and divided into two sections. Participants responded to the first section (general life questions) once and the second (performance contexts) three times in direct succession, based on their experiences when performing, teaching, and conducting. No significant differences in anxiety scores were noted across the three contexts, indicating a similar degree of anxiety when performing as a musician and as a teacher. Implications for teacher educators and researchers are discussed.

Journal of Music Teacher EducationVol. 35(2)
Université du Québec à Montréal (CA), Toronto Metropolitan University (CA)
Openalex Percentile: Top 3%
Diverse Music Education Insights
19.03
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