The Cuteness Quotient: Penguins, Picturebooks, and Environmental Education

This article explores how the aesthetic of cuteness shapes representations of nature in six informational picturebooks about penguins. The analysis addresses the two informational genres – one related to the emperor life cycle and the other to penguin rescue – that dominate the field in the twenty-first century. Whereas the books devoted to the emperor life cycle tend to reject cuteness as a mode inconsistent with scientific observation, those devoted to penguin rescue show its allure as a means, albeit problematic, to stimulate interest and raise awareness of threats to species survival. Within this context, cuteness often obscures the ideological, political, and economic forces driving eco-disaster. By contrast, picturebooks depicting charismatic animals show the value of awe and wonder in teaching respect for the natural environment. Emperor life-cycle narratives examined include Martin Jenkins and Jane Chapman’s The Emperor’s Egg; Sandra Markle and Alan Marks’s A Mother’s Journey; and Nicola Davies and Catherine Rayner’s Emperor of the Ice. Penguin rescue narratives examined include Sophie Cunningham and Anil Tortop’s Flipper and Finnegan: The True Story of How Tiny Jumpers Saved Little Penguins; Marikka Tamura and Daniel Rieley’s Penguins Don’t Wear Sweaters; and Jean Marzollo and Laura Regan’s Pierre the Penguin: A True Story.

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Publication Details

Journal
International Research in Children s Literature
Published
2025-02-01
DOI
https://doi.org/10.3366/ircl.2025.0600
Primary Topic
Animal and Plant Science Education
Type
article
Field-Weighted Citation Impact
0.00
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article

The Cuteness Quotient: Penguins, Picturebooks, and Environmental Education

Sharon Smulders
International Research in Children s Literature
Animal and Plant Science Education
article

The Cuteness Quotient: Penguins, Picturebooks, and Environmental Education

Sharon Smulders
article en

Abstract

This article explores how the aesthetic of cuteness shapes representations of nature in six informational picturebooks about penguins. The analysis addresses the two informational genres – one related to the emperor life cycle and the other to penguin rescue – that dominate the field in the twenty-first century. Whereas the books devoted to the emperor life cycle tend to reject cuteness as a mode inconsistent with scientific observation, those devoted to penguin rescue show its allure as a means, albeit problematic, to stimulate interest and raise awareness of threats to species survival. Within this context, cuteness often obscures the ideological, political, and economic forces driving eco-disaster. By contrast, picturebooks depicting charismatic animals show the value of awe and wonder in teaching respect for the natural environment. Emperor life-cycle narratives examined include Martin Jenkins and Jane Chapman’s The Emperor’s Egg; Sandra Markle and Alan Marks’s A Mother’s Journey; and Nicola Davies and Catherine Rayner’s Emperor of the Ice. Penguin rescue narratives examined include Sophie Cunningham and Anil Tortop’s Flipper and Finnegan: The True Story of How Tiny Jumpers Saved Little Penguins; Marikka Tamura and Daniel Rieley’s Penguins Don’t Wear Sweaters; and Jean Marzollo and Laura Regan’s Pierre the Penguin: A True Story.

International Research in Children s LiteratureVol. 18(1)
Mount Royal University (CA)
Openalex Percentile: Top 96%
Animal and Plant Science Education
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