සහතයය නරපත ශර ලකය බදධ පරතම කලව පරභවය හ පරව අවදය බදධ සකත වනදනය

Following the Mahindagamana, an intense reverence for Buddhism and the Buddha developed across the nation. Sri Lankan artists, in response, dedicated significant attention was directed to sculp the Buddha's form in statues, drawing inspiration from his spiritual essence. As time progressed, the art of crafting Buddha statues evolved, encouraging Buddhists who traditionally revered Buddhist symbols to begin worshiping through these statues. This study examines the origins of the Buddha image as depicted in literary texts and the shift from symbolic to statue worship using a qualitative research method. Based on evidence from primary sources like the Mahavamsa, Samanthapasadika, and Pujavaliya, and supplemented by othersecondary sources, it is evident that sculptors conceptualized and crafted Buddha's image in statues, capturing the character of Buddha as praised in the literature.

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Publication Details

Journal
විදුදය Vidudaya – Journal of Language Literary Cultural and Media Studies
Published
2025-02-26
DOI
https://doi.org/10.31357/vidudaya.v3i01.8006
Primary Topic
Indian and Buddhist Studies
Type
article
Field-Weighted Citation Impact
0.00
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සහතයය නරපත ශර ලකය බදධ පරතම කලව පරභවය හ පරව අවදය බදධ සකත වනදනය

එම්. බී. දිල්හානි
විදුදය Vidudaya – Journal of Language Literary Cultural and Media Studies
Indian and Buddhist Studies
article

සහතයය නරපත ශර ලකය බදධ පරතම කලව පරභවය හ පරව අවදය බදධ සකත වනදනය

එම්. බී. දිල්හානි
article en

Abstract

Following the Mahindagamana, an intense reverence for Buddhism and the Buddha developed across the nation. Sri Lankan artists, in response, dedicated significant attention was directed to sculp the Buddha's form in statues, drawing inspiration from his spiritual essence. As time progressed, the art of crafting Buddha statues evolved, encouraging Buddhists who traditionally revered Buddhist symbols to begin worshiping through these statues. This study examines the origins of the Buddha image as depicted in literary texts and the shift from symbolic to statue worship using a qualitative research method. Based on evidence from primary sources like the Mahavamsa, Samanthapasadika, and Pujavaliya, and supplemented by othersecondary sources, it is evident that sculptors conceptualized and crafted Buddha's image in statues, capturing the character of Buddha as praised in the literature.

විදුදය Vidudaya – Journal of Language Literary Cultural and Media StudiesVol. 3(01)
Weatherford College (US)
Openalex Percentile: Top 97%
Indian and Buddhist Studies
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