Deriving the paradoxical effects of temporal metalepsis

This paper explores a phenomenon, metalepsis, that hasn’t been discussed in linguistics until only recently, but is important because it sheds new light on the semantics of fiction and paradoxical statements. We focus on a particular instance of metalepsis, namely the following sentence from Sylvie by Gérard de Nerval: ‘While the coach is making its way up to the hills, let us piece together the memories of the days when I often visited these parts.’ This sentence exemplifies a temporal paradox since the narrator asks the narratee to join him in doing something that had already happened. Previous analyses of metalepsis have focused on third-person examples, leading to incorrect predictions for such first-person examples. We propose a novel analysis that accounts for both first- and third-person uses, while also accounting for a potential difference in aesthetic import between the two cases.

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Publication Details

Journal
Proceedings from Semantics and Linguistic Theory
Published
2025-02-26
DOI
https://doi.org/10.3765/trr78b56
Primary Topic
Language, Metaphor, and Cognition
Type
article
Field-Weighted Citation Impact
0.00
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article

Deriving the paradoxical effects of temporal metalepsis

Dag Haug, Daniel Altshuler
Proceedings from Semantics and Linguistic Theory
Language, Metaphor, and Cognition
article

Deriving the paradoxical effects of temporal metalepsis

Dag Haug, Daniel Altshuler
article en

Abstract

This paper explores a phenomenon, metalepsis, that hasn’t been discussed in linguistics until only recently, but is important because it sheds new light on the semantics of fiction and paradoxical statements. We focus on a particular instance of metalepsis, namely the following sentence from Sylvie by Gérard de Nerval: ‘While the coach is making its way up to the hills, let us piece together the memories of the days when I often visited these parts.’ This sentence exemplifies a temporal paradox since the narrator asks the narratee to join him in doing something that had already happened. Previous analyses of metalepsis have focused on third-person examples, leading to incorrect predictions for such first-person examples. We propose a novel analysis that accounts for both first- and third-person uses, while also accounting for a potential difference in aesthetic import between the two cases.

Proceedings from Semantics and Linguistic Theory
University of Oslo (NO), University of Oxford (GB)
Openalex Percentile: Top 97%
Language, Metaphor, and Cognition
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