A newly identified Brazilian painting by Robert Dampier

This article presents a newly discovered oil painting by the little-known British artist Robert Dampier (1800–74), depicting the Sugarloaf Mountain with two enslaved men in Rio de Janeiro, painted in the mid-1820s. The painting, in the Museu de Arte de São Paulo (MASP), was previously at tributed to Henry Chamberlain and Nicolas-Antoine Taunay, but the evidence for its really being by Dampier is affirmed using primary sources (including original drawings by Dampier in his descendants’ ownership) and visual com parison with the artist’s other known works. A second painting in the Geyer collection in Rio is also attributed to Dampier for the first time. With the attri bution to Dampier confirmed, the MASP picture is compared with other works by the British travelling artists. Lastly, with the artist’s clear interest in the tro pical landscape in mind, the article considers the importance of landscape in his best-known works, four portraits painted in Hawaii in 1825.

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Publication Details

Journal
Imagem Revista de Hist´ória da Arte
Published
2024-12-20
DOI
https://doi.org/10.34024/imagem.v5i2.20167
Primary Topic
Sociology and Education in Brazil
Type
article
Field-Weighted Citation Impact
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article

A newly identified Brazilian painting by Robert Dampier

Robert Wilkes
Imagem Revista de Hist´ória da Arte
Sociology and Education in Brazil
article

A newly identified Brazilian painting by Robert Dampier

Robert Wilkes
article en

Abstract

This article presents a newly discovered oil painting by the little-known British artist Robert Dampier (1800–74), depicting the Sugarloaf Mountain with two enslaved men in Rio de Janeiro, painted in the mid-1820s. The painting, in the Museu de Arte de São Paulo (MASP), was previously at tributed to Henry Chamberlain and Nicolas-Antoine Taunay, but the evidence for its really being by Dampier is affirmed using primary sources (including original drawings by Dampier in his descendants’ ownership) and visual com parison with the artist’s other known works. A second painting in the Geyer collection in Rio is also attributed to Dampier for the first time. With the attri bution to Dampier confirmed, the MASP picture is compared with other works by the British travelling artists. Lastly, with the artist’s clear interest in the tro pical landscape in mind, the article considers the importance of landscape in his best-known works, four portraits painted in Hawaii in 1825.

Imagem Revista de Hist´ória da ArteVol. 5(2)
Fundação de Apoio à Universidade Federal de São Paulo (BR)
Openalex Percentile: Top 55%
Sociology and Education in Brazil
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