The Person Holding the Phone

In this paper, I present a personal case study centered on my experience of attending my grandfather's funeral virtually in 2023. This event serves as a lens to explore broader themes of mediated grief work and the integration of digital media into experiences of death and mourning. Drawing on Bruno Latour's actor-network theory, I analyze the formation of temporary digital mourning assemblages, examining the ties that connect participants both on the ground and online. A key focus is the role and impact of the human actor within technological and media interfaces. The person operating the phone, capturing images, and managing the technical aspects of a Zoom call is often overshadowed by discussions that prioritize the technology itself.

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Publication Details

Journal
Performance Philosophy
Published
2025-02-26
DOI
https://doi.org/10.21476/pp.2024.92476
Citations
1
Primary Topic
Utopian, Dystopian, and Speculative Fiction
Type
article
Field-Weighted Citation Impact
17.27
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article

The Person Holding the Phone

Natalia Sánchez-Querubín
1 citations
Performance Philosophy
Utopian, Dystopian, and Speculative Fiction
17.27
article

The Person Holding the Phone

Natalia Sánchez-Querubín
article en
1 citations

Abstract

In this paper, I present a personal case study centered on my experience of attending my grandfather's funeral virtually in 2023. This event serves as a lens to explore broader themes of mediated grief work and the integration of digital media into experiences of death and mourning. Drawing on Bruno Latour's actor-network theory, I analyze the formation of temporary digital mourning assemblages, examining the ties that connect participants both on the ground and online. A key focus is the role and impact of the human actor within technological and media interfaces. The person operating the phone, capturing images, and managing the technical aspects of a Zoom call is often overshadowed by discussions that prioritize the technology itself.

Performance PhilosophyVol. 9(2)
University of Amsterdam (NL)
Openalex Percentile: Top 3%
Utopian, Dystopian, and Speculative Fiction
17.27
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