Uma lésbica na Bocolândia

This article proposes an interpretation of Virgindade inútil: Novela de uma revoltada (1927) by Ercília Nogueira Cobra as a counternarrative of the nation. The novel provides an opportunity for a revisionist reading of Brazilian modernity and modernism based on the author’s radical critique of prescriptive notions of gender and sexuality in the process of articulating the country’s national identity in the early twentieth century. This article demonstrates that Virgindade inútil constitutes a counterpoint to the dominant national ideology, dismantling its foundational formation, the heteropatriarchal family, and inaugurating another order by introducing a familial arrangement composed of two women and their daughter. In Cobra’s narrative, the transgression of established gender roles intersects with the subversion of heteronormative sexual morality, enabling us not only to broaden our understanding of Brazilian modernism but also to imagine another Brazil, in which freedom is born of women.

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Publication Details

Journal
Journal of Lusophone Studies
Published
2024-10-24
DOI
https://doi.org/10.21471/jls.v9i1.583
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
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article

Uma lésbica na Bocolândia

Yasmin Zandomenico
Journal of Lusophone Studies
Literature, Culture, and Criticism
article

Uma lésbica na Bocolândia

Yasmin Zandomenico
article en

Abstract

This article proposes an interpretation of Virgindade inútil: Novela de uma revoltada (1927) by Ercília Nogueira Cobra as a counternarrative of the nation. The novel provides an opportunity for a revisionist reading of Brazilian modernity and modernism based on the author’s radical critique of prescriptive notions of gender and sexuality in the process of articulating the country’s national identity in the early twentieth century. This article demonstrates that Virgindade inútil constitutes a counterpoint to the dominant national ideology, dismantling its foundational formation, the heteropatriarchal family, and inaugurating another order by introducing a familial arrangement composed of two women and their daughter. In Cobra’s narrative, the transgression of established gender roles intersects with the subversion of heteronormative sexual morality, enabling us not only to broaden our understanding of Brazilian modernism but also to imagine another Brazil, in which freedom is born of women.

Journal of Lusophone StudiesVol. 9(1)
Harvard University Press (US)
Openalex Percentile: Top 57%
Literature, Culture, and Criticism
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