TEXT, CONTEXT, AND IMAGE: TAKING ANOTHER LOOK AT THE <i>UBĀNA TARĀṢU</i> GESTURE

The gesture of the pointing finger performed by the Assyrian king and, sometimes, his officials and depicted on several monuments is commonly labelled by scholars as ubāna tarāṣu (to extend the finger and point), and variously interpreted as a gesture of homage, or prayer, or adoration to the deities. The article questions this generally accepted reading and proposes to interpret the pointing finger gesture as a simple deictic gesture, thus deprived of any religious connotation. It is concluded that the gesture had not intrinsic meaning but was intentionally used to point at and highlight important elements outside the monument or within the carved inscription or the image.