Towards Automatic Expressive Pipa Music Transcription Using Morphological Analysis of Photoelectric Signals

The musical signal produced by plucked instruments often exhibits non-stationarity due to variations in the pitch and amplitude, making pitch estimation a challenge. In this paper, we assess different transcription processes and algorithms applied to signals captured by optical sensors mounted on a pipa-a traditional Chinese plucked instrument-played using a range of techniques. The captured signal demonstrates a distinctive arched feature during plucking. This facilitates onset detection to avoid the impact of the spurious energy peaks within vibration areas that arise from pitch-shift playing techniques. Subsequently, we developed a novel time-frequency feature, known as continuous time-period mapping (CTPM), which contains pitch curves. The proposed process can also be applied to playing techniques that mix pitch shifts and tremolo. When evaluated on four renowned pipa music pieces of varying difficulty levels, our fully time-domain-based onset detectors outperformed four short-time methods, particularly during tremolo. Our zero-crossing-based pitch estimator achieved a performance comparable to short-time methods with a far better computational efficiency, demonstrating its suitability for use in a lightweight algorithm in future work.

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Publication Details

Journal
Sensors
Published
2025-02-23
DOI
https://doi.org/10.3390/s25051361
Primary Topic
Music and Audio Processing
Type
article
Field-Weighted Citation Impact
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article

Towards Automatic Expressive Pipa Music Transcription Using Morphological Analysis of Photoelectric Signals

Xuanzhe Li, Yuancheng Wang, Qiao Wang, Yunxiao Zhang
Sensors
Music and Audio Processing
article

Towards Automatic Expressive Pipa Music Transcription Using Morphological Analysis of Photoelectric Signals

Xuanzhe Li, Yuancheng Wang, Qiao Wang, Yunxiao Zhang
article en

Abstract

The musical signal produced by plucked instruments often exhibits non-stationarity due to variations in the pitch and amplitude, making pitch estimation a challenge. In this paper, we assess different transcription processes and algorithms applied to signals captured by optical sensors mounted on a pipa-a traditional Chinese plucked instrument-played using a range of techniques. The captured signal demonstrates a distinctive arched feature during plucking. This facilitates onset detection to avoid the impact of the spurious energy peaks within vibration areas that arise from pitch-shift playing techniques. Subsequently, we developed a novel time-frequency feature, known as continuous time-period mapping (CTPM), which contains pitch curves. The proposed process can also be applied to playing techniques that mix pitch shifts and tremolo. When evaluated on four renowned pipa music pieces of varying difficulty levels, our fully time-domain-based onset detectors outperformed four short-time methods, particularly during tremolo. Our zero-crossing-based pitch estimator achieved a performance comparable to short-time methods with a far better computational efficiency, demonstrating its suitability for use in a lightweight algorithm in future work.

SensorsVol. 25(5)
Southeast University (CN)
Affordable and clean energy
Openalex Percentile: Top 97%
Music and Audio Processing
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