Romeo and Juliet in Korea: Love and the War

Romeo and Juliet remains one of the most frequently performed plays of Shakespeare in Korea, one reason for which is obvious: the feud between the Capulets and Montagues resonates with the continuing division of Korea into North and South. Indeed, many productions of the play in South Korea since the Korean War (1950–53) have made direct and indirect allusions to the political reality of division. Nothing defines Korea so much as division and the desire to overcome that division. With this context in mind, my essay will examine four representative but unique productions of the play from the War period to the twenty-first century: a women’s musical theater adaptation during the War that was a popular success; a production by the Mokwha Repertory Theatre from the early 2000s that alludes directly to the state of division into North and South, and which has toured the globe; a 2009 musical theater version by the National Changgeuk Company of Korea that emphasizes regional rivalries; and a 2022 production that sets the play in the DMZ. However, while exploring the depiction of division in these productions, I will focus in particular on how marriage is understood in relation to national division and the possibility of reconciliation. I will argue that the productions bring attention to the intersection of the social and political practices that sustain division.