Postfeminism at play: Pretend play with Disney princess transmedia in the early childhood education classroom

This article examines how young children take up gender and sexuality discourses embedded in Disney Princess transmedia narratives and merchandise. A feminist ethnographic study conducted in two Canadian early childhood education and care (ECEC) classrooms found that young children often take up stereotypically gendered, heteronormative roles from princess transmedia during pretend play. The author contends that princess play includes problematic postfeminist themes, yet also offers agentic, pleasurable roles for children to embody. Disney’s hyperfeminine princess aesthetic is sometimes utilized by girls to subvert inequitable gender hierarchies and claim powerful positions within play scenarios. However, femmephobia can result in reinforcement of hegemonic gender discourses via gender policing. Implications for gender equity in ECEC environments are discussed.

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Publication Details

Journal
McGill Journal of Education / Revue des sciences de l éducation de McGill
Published
2024-12-31
DOI
https://doi.org/10.26443/mje/rsem.v58i3.10092
Primary Topic
Media, Gender, and Advertising
Type
article
Field-Weighted Citation Impact
0.00
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article

Postfeminism at play: Pretend play with Disney princess transmedia in the early childhood education classroom

Tifanie Valade
McGill Journal of Education / Revue des sciences de l éducation de McGill
Media, Gender, and Advertising
article

Postfeminism at play: Pretend play with Disney princess transmedia in the early childhood education classroom

Tifanie Valade
article en

Abstract

This article examines how young children take up gender and sexuality discourses embedded in Disney Princess transmedia narratives and merchandise. A feminist ethnographic study conducted in two Canadian early childhood education and care (ECEC) classrooms found that young children often take up stereotypically gendered, heteronormative roles from princess transmedia during pretend play. The author contends that princess play includes problematic postfeminist themes, yet also offers agentic, pleasurable roles for children to embody. Disney’s hyperfeminine princess aesthetic is sometimes utilized by girls to subvert inequitable gender hierarchies and claim powerful positions within play scenarios. However, femmephobia can result in reinforcement of hegemonic gender discourses via gender policing. Implications for gender equity in ECEC environments are discussed.

McGill Journal of Education / Revue des sciences de l éducation de McGill
University of Ottawa (CA)
Openalex Percentile: Top 61%
Media, Gender, and Advertising
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