THROUGH THE RUINS TO A DEAD END: THE CREATIVE LIFE OF SAMARA ARTISTS IN THE POST-WAR PERIOD (1946-1953S)

The article explores the activities of the Kuibyshev branch of the Union of Soviet Artists (KSSH) in the post-war period (1946-1953), focusing on the problems faced by the artistic community at that time. Despite attempts at reform, the KSSH found itself in a critical situation due to a lack of resources, lack of proper support from the authorities, lack of exhibition space and aging staff. This led to a decrease in the quality of work, lagging behind other regions and an unsatisfactory creative climate in Kuibyshev. As a result, by 1953, the KSSH had not been able to overcome the current crisis.

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Publication Details

Published
2024-11-24
DOI
https://doi.org/10.18287/978-5-6052980-3-8-2024-1
Primary Topic
Security, Politics, and Digital Transformation
Type
article
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article

THROUGH THE RUINS TO A DEAD END: THE CREATIVE LIFE OF SAMARA ARTISTS IN THE POST-WAR PERIOD (1946-1953S)

Evgeny Alekseevich Anshakov
Security, Politics, and Digital Transformation
article

THROUGH THE RUINS TO A DEAD END: THE CREATIVE LIFE OF SAMARA ARTISTS IN THE POST-WAR PERIOD (1946-1953S)

Evgeny Alekseevich Anshakov
article en

Abstract

The article explores the activities of the Kuibyshev branch of the Union of Soviet Artists (KSSH) in the post-war period (1946-1953), focusing on the problems faced by the artistic community at that time. Despite attempts at reform, the KSSH found itself in a critical situation due to a lack of resources, lack of proper support from the authorities, lack of exhibition space and aging staff. This led to a decrease in the quality of work, lagging behind other regions and an unsatisfactory creative climate in Kuibyshev. As a result, by 1953, the KSSH had not been able to overcome the current crisis.

Moscow State Pedagogical University (RU)
Openalex Percentile: Top 55%
Security, Politics, and Digital Transformation
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