Figura czarownicy w Boginiach z Žítkovej Kateřiny Tučkovej i w Sońce Ignacego Karpowicza

Kateřina Tučková’s Boginie z Žítkovej(Žítkovské bohyně, 2012) and Ignacy Karpowicz’s Sońka (2014), despite their different accents, tell the story of witches – goddesses, whisperers, quacks, herbalists. Comparing the two novels, I look at the creations of female heroines as unique characters because of the abilities they possess or are attributed to them. I ask how the stories of their lifes were presented and whether they were written into a broader, not only feminocentric, context. That is the function of the places in which the stories of the heroines are set, especially the Surmena from Žítkova on Moravian Slovakia (MoravianSlovak border) and Sońka from Królowe Stołjo in the Polish-Belarusian Podlasie. What do the characters of the „guardians of the fairy tail” – Dora and Igor – serve? Referring to the insights of Mona Chollet and Silvia Federici, I finally try to determine the subversive potential of the story of modern witches – do they implement the postulates of feminists, not just of the second wave?

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Publication Details

Journal
Studia Slavica
Published
2025-02-01
DOI
https://doi.org/10.15452/studiaslavica.2024.28.0012
Primary Topic
Historical and Cultural Studies of Poland
Type
article
Field-Weighted Citation Impact
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article

Figura czarownicy w Boginiach z Žítkovej Kateřiny Tučkovej i w Sońce Ignacego Karpowicza

Aleksandra E. Banot
Studia Slavica
Historical and Cultural Studies of Poland
article

Figura czarownicy w Boginiach z Žítkovej Kateřiny Tučkovej i w Sońce Ignacego Karpowicza

Aleksandra E. Banot
article en

Abstract

Kateřina Tučková’s Boginie z Žítkovej(Žítkovské bohyně, 2012) and Ignacy Karpowicz’s Sońka (2014), despite their different accents, tell the story of witches – goddesses, whisperers, quacks, herbalists. Comparing the two novels, I look at the creations of female heroines as unique characters because of the abilities they possess or are attributed to them. I ask how the stories of their lifes were presented and whether they were written into a broader, not only feminocentric, context. That is the function of the places in which the stories of the heroines are set, especially the Surmena from Žítkova on Moravian Slovakia (MoravianSlovak border) and Sońka from Królowe Stołjo in the Polish-Belarusian Podlasie. What do the characters of the „guardians of the fairy tail” – Dora and Igor – serve? Referring to the insights of Mona Chollet and Silvia Federici, I finally try to determine the subversive potential of the story of modern witches – do they implement the postulates of feminists, not just of the second wave?

Studia SlavicaVol. XXVIII(2)
School of Administration in Bielsko-Biala (PL), University of Bielsko-Biała (PL)
Openalex Percentile: Top 97%
Historical and Cultural Studies of Poland
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Figura czarownicy w Boginiach z Žítkovej Kateřiny Tučkovej i w Sońce Ignacego Karpowicza — Aleksandra E. Banot · Studia Slavica (2025) | TGRS Research Map | TGRS