Contemporary YouTube advertising and the making of the Marathi Brahmin identity

This article focuses on an increasingly popular social media advertising strategy, in the form of brand films circulated on YouTube for two prominent brands, Chitale Bandhu Mithaiwaale and P. N. Gadgil Jewelers, based in Pune in western India. Through close reading of these films, I demonstrate how their constructions of a ‘Marathi’ identity through discourses of tradition and culture are distinctly Brahminical. Through a focus on the embodied, linguistic and spatial referents of the advertisement films, I illustrate how the latter consequently produce Marathi Brahmin culture as Marathiness. I further argue that these films constitute a fertile site for the project of Marathi Brahmin self-making in the context of globalized, neo-liberal, urban India, an important facet of which is to showcase the community as liberal and progressive via an agential representation of women.

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Publication Details

Journal
Studies in South Asian Film & Media
Published
2024-10-01
DOI
https://doi.org/10.1386/safm_00087_1
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
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article

Contemporary YouTube advertising and the making of the Marathi Brahmin identity

Madhura Lohokare
Studies in South Asian Film & Media
South Asian Cinema and Culture
article

Contemporary YouTube advertising and the making of the Marathi Brahmin identity

Madhura Lohokare
article en

Abstract

This article focuses on an increasingly popular social media advertising strategy, in the form of brand films circulated on YouTube for two prominent brands, Chitale Bandhu Mithaiwaale and P. N. Gadgil Jewelers, based in Pune in western India. Through close reading of these films, I demonstrate how their constructions of a ‘Marathi’ identity through discourses of tradition and culture are distinctly Brahminical. Through a focus on the embodied, linguistic and spatial referents of the advertisement films, I illustrate how the latter consequently produce Marathi Brahmin culture as Marathiness. I further argue that these films constitute a fertile site for the project of Marathi Brahmin self-making in the context of globalized, neo-liberal, urban India, an important facet of which is to showcase the community as liberal and progressive via an agential representation of women.

Studies in South Asian Film & MediaVol. 16(2)
O. P. Jindal Global University (IN), Global University (LB)
Openalex Percentile: Top 58%
South Asian Cinema and Culture
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