Sounds of pleasure and challenge behind the Iron Curtain: on the rise of Bulgarian rock music

Abstract This article focuses on the innovative developments of some emblematic rock bands in Bulgaria, observed during the late 1970s and 1980s in terms of their social, ideological and artistic maturity, as well as of their significant impact on local youth life-styles through the liberating experience of specific musical styles ranging from classic rock (Shturtsite) and progressive rock (FSB) to, say, new wave (Tangra) or punk (Rock Trio Milena). Why the 1980s? What were the dominant verbal and musical messages at that time? Did they stimulate and accommodate the democratic political changes in 1989? In trying to answer such questions, the article develops a thesis according to which the acculturation of transnational musical models as the ones in the field of rock music is not a form of any flat mimicry of modern trends; this process inevitably passes through the filter of specific local contexts and subjective experiences.