Has Music Ever Significantly Changed the Course of History?

This essay examines the role of music as a propaganda tool during China's Cultural Revolution (1966Revolution ( -1976) ) under Mao Zedong's leadership.It explores how the Chinese Communist Party (CCP) utilised revolutionary songs, known as "red songs," to foster social conformity, suppress individuality, and reinforce communist ideology.The essay traces the origins of the Cultural Revolution to the aftermath of the disastrous Great Leap Forward and analyses how music was employed to rebuild Mao's cult of personality and maintain the CCP's power.Through examining song lyrics and their cultural context, the essay demonstrates how revolutionary music evoked patriotism, promoted collective identity, and portrayed Mao as a godlike figure.This paper concludes by reflecting on the effectiveness of music as a propaganda medium and its lasting impact on Chinese society during this period.

Authors

Publication Details

Journal
European Journal of Humanities and Social Sciences
Published
2025-01-28
DOI
https://doi.org/10.29013/ejhss-25-1-25-28
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
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Has Music Ever Significantly Changed the Course of History?

P Wang
European Journal of Humanities and Social Sciences
Diverse Musicological Studies
article

Has Music Ever Significantly Changed the Course of History?

P Wang
article en

Abstract

This essay examines the role of music as a propaganda tool during China's Cultural Revolution (1966Revolution ( -1976) ) under Mao Zedong's leadership.It explores how the Chinese Communist Party (CCP) utilised revolutionary songs, known as "red songs," to foster social conformity, suppress individuality, and reinforce communist ideology.The essay traces the origins of the Cultural Revolution to the aftermath of the disastrous Great Leap Forward and analyses how music was employed to rebuild Mao's cult of personality and maintain the CCP's power.Through examining song lyrics and their cultural context, the essay demonstrates how revolutionary music evoked patriotism, promoted collective identity, and portrayed Mao as a godlike figure.This paper concludes by reflecting on the effectiveness of music as a propaganda medium and its lasting impact on Chinese society during this period.

European Journal of Humanities and Social Sciences
Openalex Percentile: Top 97%
Diverse Musicological Studies
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