APPLICATION AND INNOVATION OF DIGITAL EXHIBITION DESIGN IN THE DISSEMINATION OF CHINESE INTANGIBLE CULTURAL HERITAGE

Purpose. This paper explores the application and innovation of digital exhibition design in disseminating Chinese Intangible Cultural Heritage (ICH), with a focus on preserving aesthetic qualities such as color symbolism, spatial organization, and material authenticity. By prioritizing these aesthetic elements, the research demonstrates how digital technologies can enhance the visual and cultural fidelity of ICH, ensuring that traditional art forms are not only accessible but also artistically authentic in a digital context. Methodology. The study adopts an integrative approach, utilizing Virtual Reality (VR), Augmented Reality (AR), and 3D modeling to create digital exhibitions for three representative ICH projects: Shadow Puppetry, Woodblock New Year Prints, and Traditional Chinese Medicine. The research process emphasizes aesthetic design principles, covering conceptual development, digital adaptation, and visual enhancement, to maintain the cultural essence of ICH in digital formats. Results. The findings reveal that digital exhibitions can effectively preserve the aesthetic integrity of Chinese ICH by incorporating traditional elements like symmetry, color symbolism, and material authenticity into their design. The analysis highlights how these aesthetic elements enhance the cultural representation of ICH, demonstrating that digital technologies can function as artistic tools that convey cultural narratives faithfully, rather than solely focusing on interaction or accessibility. Scientific novelty. This study contributes a new perspective by emphasizing aesthetic preservation in digital exhibition design for ICH. It offers a detailed analysis of how digital technologies can replicate visual and material qualities, addressing existing gaps in research regarding the balance between cultural authenticity and digital innovation in the preservation of intangible heritage. Practical significance. The insights gained from this study are valuable for museum professionals, exhibition designers, and cultural heritage practitioners. By providing guidelines for integrating aesthetic elements into digital exhibition design, the study supports the creation of digital platforms that are not only interactive but also visually authentic, ensuring that ICH retains its cultural and artistic value in contemporary society.

Authors

Institutions

Publication Details

Journal
Art and Design
Published
2024-12-15
DOI
https://doi.org/10.30857/2617-0272.2024.4.1
Citations
1
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.63
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

APPLICATION AND INNOVATION OF DIGITAL EXHIBITION DESIGN IN THE DISSEMINATION OF CHINESE INTANGIBLE CULTURAL HERITAGE

Danylo Kosenko, Qing He
1 citations
Art and Design
Digital Media and Visual Art
0.63
article

APPLICATION AND INNOVATION OF DIGITAL EXHIBITION DESIGN IN THE DISSEMINATION OF CHINESE INTANGIBLE CULTURAL HERITAGE

Danylo Kosenko, Qing He
article en
1 citations

Abstract

Purpose. This paper explores the application and innovation of digital exhibition design in disseminating Chinese Intangible Cultural Heritage (ICH), with a focus on preserving aesthetic qualities such as color symbolism, spatial organization, and material authenticity. By prioritizing these aesthetic elements, the research demonstrates how digital technologies can enhance the visual and cultural fidelity of ICH, ensuring that traditional art forms are not only accessible but also artistically authentic in a digital context. Methodology. The study adopts an integrative approach, utilizing Virtual Reality (VR), Augmented Reality (AR), and 3D modeling to create digital exhibitions for three representative ICH projects: Shadow Puppetry, Woodblock New Year Prints, and Traditional Chinese Medicine. The research process emphasizes aesthetic design principles, covering conceptual development, digital adaptation, and visual enhancement, to maintain the cultural essence of ICH in digital formats. Results. The findings reveal that digital exhibitions can effectively preserve the aesthetic integrity of Chinese ICH by incorporating traditional elements like symmetry, color symbolism, and material authenticity into their design. The analysis highlights how these aesthetic elements enhance the cultural representation of ICH, demonstrating that digital technologies can function as artistic tools that convey cultural narratives faithfully, rather than solely focusing on interaction or accessibility. Scientific novelty. This study contributes a new perspective by emphasizing aesthetic preservation in digital exhibition design for ICH. It offers a detailed analysis of how digital technologies can replicate visual and material qualities, addressing existing gaps in research regarding the balance between cultural authenticity and digital innovation in the preservation of intangible heritage. Practical significance. The insights gained from this study are valuable for museum professionals, exhibition designers, and cultural heritage practitioners. By providing guidelines for integrating aesthetic elements into digital exhibition design, the study supports the creation of digital platforms that are not only interactive but also visually authentic, ensuring that ICH retains its cultural and artistic value in contemporary society.

Art and Design(4)
Xi'an Shiyou University (CN), Kyiv National University of Technologies and Design (UA)
Openalex Percentile: Top 16%
Digital Media and Visual Art
0.63
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.