Kuidas jutustada ööd? ERMi näituse „Kellele kuulub öö?“ uurimis- ja kureerimisprotsessist

This article treats the process of curating an exhibition opened at the Estonian National Museum in February 2024, “Who Claims the Night?”, devoted to the history and present-day of life after dark in Estonian cities; this particular article is however based on only the historical component of the exhibition. As the head curator of the night-themed exhibition, I reflect the creative research work process and analyse how academic research and curating the exhibition were closely interwoven. The main questions for research pertained to possibilities for studying the history of night in Estonian urban areas and how it is depicted in a museum environment. The exhibition is interdisciplinary, taking in urban studies, history, sociology, anthropology and cultural studies. The interdisciplinary approach and use of diverse materials were an important means for conveying the rich narrative of urban life after dark. Curating as a museum practice and academic research method allowed a critical approach and helped contribute to a more multifaceted understanding of cultural heritage. The research included different sources, including archive material, media, interviews, artefacts and audiovisual material. The inception of the exhibition started with an extensive period of poring over theoretical and historical literature, supplemented by laying down the conception. The research and planning of the exhibition layout proceeded in parallel with cross-influences. Interior design, lighting and soundscapes all had an important role in the exhibition design in helping to translate the nocturnal atmosphere into exhibition space. The creation of the night-themed exhibition had an academic dimension, although there were significant differences as well between academic publishing and the exhibition as artistic research. For example, the exhibition lacks a formal peer review process, and in its place, the various parties are engaged in constant creative collaboration. The night-themed exhibition has potential for broadening the thematic range and interpretations of Estonian culture history, while simultaneously being part of salient discussions in society regarding the value of urban life after dark and the fragility of nightlife culture. It also makes an attempt to contribute to the development of Estonian nightlife culture itself, emphasizing the cultural importance of the night-time hours and critiquing the prevailing narratives about nocturnal activities.