World Music Pedagogy in Practice: Part 1 – Learning Irish Traditional Music

Ireland’s music is at times energetic and spirited, and other times pensive and even plaintive, depending upon the occasion. It is linked to the heritage of many North Americans, both in the United States and Canada, who trace their family histories to Ireland, and it is both centuries old and newly composed, as is the composition by Francis Ward, “Planxty Sarsfield.” The music is captivating for cultural insiders as well as for first-timers to the sound of its melodies, rhythms, and timbres. It is a fitting choice for students of various age and experience levels, due to its accessibility, singability, limited rhythmic palette, and the meaningful sociocultural messages of displacement and musical resilience that it communicates. Through the application of the five dimensions of World Music Pedagogy, this planxty is made even more suitable for teaching music and culture to students from middle childhood through secondary school.

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Publication Details

Journal
Journal of General Music Education
Published
2025-02-13
DOI
https://doi.org/10.1177/27527646241313232
Citations
1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
19.03
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article

World Music Pedagogy in Practice: Part 1 – Learning Irish Traditional Music

F. Kingdon Ward, Patricia Shehan Campbell
1 citations
Journal of General Music Education
Diverse Music Education Insights
19.03
article

World Music Pedagogy in Practice: Part 1 – Learning Irish Traditional Music

F. Kingdon Ward, Patricia Shehan Campbell
article en
1 citations

Abstract

Ireland’s music is at times energetic and spirited, and other times pensive and even plaintive, depending upon the occasion. It is linked to the heritage of many North Americans, both in the United States and Canada, who trace their family histories to Ireland, and it is both centuries old and newly composed, as is the composition by Francis Ward, “Planxty Sarsfield.” The music is captivating for cultural insiders as well as for first-timers to the sound of its melodies, rhythms, and timbres. It is a fitting choice for students of various age and experience levels, due to its accessibility, singability, limited rhythmic palette, and the meaningful sociocultural messages of displacement and musical resilience that it communicates. Through the application of the five dimensions of World Music Pedagogy, this planxty is made even more suitable for teaching music and culture to students from middle childhood through secondary school.

Journal of General Music EducationVol. 38(3)
University of Washington (US), Dublin City University (IE), Seattle University (US)
Openalex Percentile: Top 3%
Diverse Music Education Insights
19.03
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