Divine Designs: The Evolution of Temple Art in Bharat

The evolution of temple art in Bharat has remarkably merged the ethos of culture, art and spirit over many centuries. In this article, the temple architecture has been traced from the early religious structures of the Indus Valley civilization to the magnificent monuments of the Gupta, Cholla and Vijayanagara periods. It highlights the main architectural styles-Nagara, Dravida and Vesara and their distinctive features illustrating the regional diversity in design, symbolisation and creativity. The study discusses the intricate carvings, motifs, and ornamentation of temples, which are often overlooked. They play an essential role in the temple’s spirituality and functioning as a centre for social and economic activities. It also analyses the impact of exterior cultures during the Islamic and colonial eras, demonstrating the tenacity of temple art in maintaining its identity while adapting to evolving surroundings. These temples, as guardians of India’s cultural history, represent the convergence of devotion, art, and architecture, exemplifying the lasting legacy of Bharat’s varied traditions. The paper emphasises the critical necessity for conservation initiatives to safeguard these architectural masterpieces in the face of modernisation and environmental problems, so securing their importance for future generations

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Publication Details

Journal
International Journal of History and Archaeology Research Studies (IJHARS)
Published
2024-12-18
DOI
https://doi.org/10.63090/ijhars/3049.1622.0005
Primary Topic
Historical and Architectural Studies
Type
article
Field-Weighted Citation Impact
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article

Divine Designs: The Evolution of Temple Art in Bharat

Ms.Dalia Varghese
International Journal of History and Archaeology Research Studies (IJHARS)
Historical and Architectural Studies
article

Divine Designs: The Evolution of Temple Art in Bharat

Ms.Dalia Varghese
article en

Abstract

The evolution of temple art in Bharat has remarkably merged the ethos of culture, art and spirit over many centuries. In this article, the temple architecture has been traced from the early religious structures of the Indus Valley civilization to the magnificent monuments of the Gupta, Cholla and Vijayanagara periods. It highlights the main architectural styles-Nagara, Dravida and Vesara and their distinctive features illustrating the regional diversity in design, symbolisation and creativity. The study discusses the intricate carvings, motifs, and ornamentation of temples, which are often overlooked. They play an essential role in the temple’s spirituality and functioning as a centre for social and economic activities. It also analyses the impact of exterior cultures during the Islamic and colonial eras, demonstrating the tenacity of temple art in maintaining its identity while adapting to evolving surroundings. These temples, as guardians of India’s cultural history, represent the convergence of devotion, art, and architecture, exemplifying the lasting legacy of Bharat’s varied traditions. The paper emphasises the critical necessity for conservation initiatives to safeguard these architectural masterpieces in the face of modernisation and environmental problems, so securing their importance for future generations

International Journal of History and Archaeology Research Studies (IJHARS)
Thomas College (US)
Openalex Percentile: Top 55%
Historical and Architectural Studies
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