‘I’m Born Nxde, and You Are the Pervert’

Abstract This paper analyses the music video Nxde by ( G ) I - DLE , exploring its portrayal of femininity in the Korean music industry. It addresses the perpetuation of the beauty myth and objectification, symbolised by Marilyn Monroe as the ideal of beauty and innocence. Despite little change in media practices, the video challenges narrow perceptions of women beyond pure or vulgar binaries. It partially compares Nxde to the empowering video Tomboy emphasising the critique of the music industry’s perpetuation of beauty myths and sexualisation of artists. The video also highlights the impact on employment and education of discrimination based on appearance, contributing to societal inequality. Nxde confronts media audiences, exposing their objectifying tendencies and the commodification of desires. It acknowledges the need for systemic change and questions the authenticity of feminist voices within a commercialised industry that reproduces criticised symbols. While navigating the complexities of the Korean music industry, the video aims to shed light on social and gender issues within its constraints.

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Publication Details

Journal
European Journal of East Asian Studies
Published
2024-11-28
DOI
https://doi.org/10.1163/15700615-02303001
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
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article

‘I’m Born Nxde, and You Are the Pervert’

Bianka Francistyová, Veronika Šašalová
European Journal of East Asian Studies
Asian Culture and Media Studies
article

‘I’m Born Nxde, and You Are the Pervert’

Bianka Francistyová, Veronika Šašalová
article en

Abstract

Abstract This paper analyses the music video Nxde by ( G ) I - DLE , exploring its portrayal of femininity in the Korean music industry. It addresses the perpetuation of the beauty myth and objectification, symbolised by Marilyn Monroe as the ideal of beauty and innocence. Despite little change in media practices, the video challenges narrow perceptions of women beyond pure or vulgar binaries. It partially compares Nxde to the empowering video Tomboy emphasising the critique of the music industry’s perpetuation of beauty myths and sexualisation of artists. The video also highlights the impact on employment and education of discrimination based on appearance, contributing to societal inequality. Nxde confronts media audiences, exposing their objectifying tendencies and the commodification of desires. It acknowledges the need for systemic change and questions the authenticity of feminist voices within a commercialised industry that reproduces criticised symbols. While navigating the complexities of the Korean music industry, the video aims to shed light on social and gender issues within its constraints.

European Journal of East Asian StudiesVol. 23(3)
University of Ss. Cyril and Methodius in Trnava (SK)
Gender equality
Openalex Percentile: Top 55%
Asian Culture and Media Studies
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‘I’m Born Nxde, and You Are the Pervert’ — Bianka Francistyová, Veronika Šašalová · European Journal of East Asian Studies (2024) | TGRS Research Map | TGRS