O jogo na audiodescrição: considerações com base em Gadamer e Didi-Huberman

This article proposes a discussion about the concept of the game presented by the philosophers Gadamer (1960) and Didi-Huberman (1992) based on the audio description's (AD) practice. For this, it brings a theoretical summary of both authors regarding their understanding of the game as a metaphor for the relationship between a person and a work of art, and establishes possible connections with AD. Based on this summary, we present an analysis of excerpts from five interviews carried out during our master's research to relate the concept of a game proposed by each philosopher to the practice of AD. Finally, despite starting from different purposes, we conclude that there are possible convergences between both philosophers, especially concerning the idea of the work of art as a subject of the meanings game, and that the concept of game can be a valuable resource for AD theory and practice, particularly when it comes to abstract arts.