Enacting Artful Knowing Through Collective Poetic Inquiry: “Space, Movement, Entanglement, Ambiguity, and Flow”

The article traces the authors’ polyvocal work at the interface of poetry, social cohesion, and in/justice in higher education, asking, “How is our poetic knowing artful inquiry?”, “How do we enact poetic artful inquiry?”, “What does poetic artful inquiry produce?”, and “Why does poetic artful inquiry matter?” Eight collective poetic artful inquiries were explored using a multilayered analysis design characterized by a progression of ever-more-concise poetic forms. The study was founded on the reflexive ubuntu principle of connectivity, caring for, and growing with others. Composing and interpreting three layers of poetry—pantoum poetry clusters, tanka poems, and a lantern poem—we identified the interconnected concepts of space, movement, entanglement, ambiguity, and flow, showing why and how collective poetic inquiry contributes to artful knowing in higher education. We offer this poetic conceptualization as a contribution to understanding enactments of artful inquiry, and encourage others to take it in new directions.

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Publication Details

Journal
International Review of Qualitative Research
Published
2025-02-12
DOI
https://doi.org/10.1177/19408447251319417
Citations
2
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
53.86

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article

Enacting Artful Knowing Through Collective Poetic Inquiry: “Space, Movement, Entanglement, Ambiguity, and Flow”

Inbanathan Naicker, Kathleen Pithouse-Morgan, Daisy Pillay
2 citations
International Review of Qualitative Research
Artistic and Creative Research
53.86
article

Enacting Artful Knowing Through Collective Poetic Inquiry: “Space, Movement, Entanglement, Ambiguity, and Flow”

Inbanathan Naicker, Kathleen Pithouse-Morgan, Daisy Pillay
article en
2 citations

Abstract

The article traces the authors’ polyvocal work at the interface of poetry, social cohesion, and in/justice in higher education, asking, “How is our poetic knowing artful inquiry?”, “How do we enact poetic artful inquiry?”, “What does poetic artful inquiry produce?”, and “Why does poetic artful inquiry matter?” Eight collective poetic artful inquiries were explored using a multilayered analysis design characterized by a progression of ever-more-concise poetic forms. The study was founded on the reflexive ubuntu principle of connectivity, caring for, and growing with others. Composing and interpreting three layers of poetry—pantoum poetry clusters, tanka poems, and a lantern poem—we identified the interconnected concepts of space, movement, entanglement, ambiguity, and flow, showing why and how collective poetic inquiry contributes to artful knowing in higher education. We offer this poetic conceptualization as a contribution to understanding enactments of artful inquiry, and encourage others to take it in new directions.

International Review of Qualitative Research
University of Nottingham (GB), University of KwaZulu-Natal (ZA)
Leverhulme Trust
Quality Education
Openalex Percentile: Top 0%
Artistic and Creative Research
53.86
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