Ivory Emulation: The Naturalness of Early Bioinspired Plastics

This paper explores the intricate relationship between naturalness and bioplastics by examining celluloid, the first commercially successful (bio)plastic. By analysing the trajectory of celluloid, we can gain valuable insights into bioplastic design. Invented in 1868, celluloid transformed the consumer landscape by providing cost-effective alternatives to ivory. John Wesley Hyatt, the inventor of celluloid, developed innovative design and marketing strategies to navigate the public's perception of naturalness. In the context of billiard balls, celluloid's marketing strategy did not focus on its similarity to ivory but on its superior functionality. However, celluloid capitalised on its ability to mimic ivory's aesthetic qualities for everyday items like combs and fans. This paper argues that bioplastics may benefit from embracing their artificial qualities while gradually establishing the notion of their inherent naturalness over time.

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Publication Details

Journal
Ambix
Published
2025-02-12
DOI
https://doi.org/10.1080/00026980.2025.2457914
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

Ivory Emulation: The Naturalness of Early Bioinspired Plastics

Artur Neves
Ambix
Aesthetic Perception and Analysis
article

Ivory Emulation: The Naturalness of Early Bioinspired Plastics

Artur Neves
article en

Abstract

This paper explores the intricate relationship between naturalness and bioplastics by examining celluloid, the first commercially successful (bio)plastic. By analysing the trajectory of celluloid, we can gain valuable insights into bioplastic design. Invented in 1868, celluloid transformed the consumer landscape by providing cost-effective alternatives to ivory. John Wesley Hyatt, the inventor of celluloid, developed innovative design and marketing strategies to navigate the public's perception of naturalness. In the context of billiard balls, celluloid's marketing strategy did not focus on its similarity to ivory but on its superior functionality. However, celluloid capitalised on its ability to mimic ivory's aesthetic qualities for everyday items like combs and fans. This paper argues that bioplastics may benefit from embracing their artificial qualities while gradually establishing the notion of their inherent naturalness over time.

AmbixVol. 72(1)
University of Lisbon (PT), Museum of Modern Art (US), Universidade Nova de Lisboa (PT)
Fundação para a Ciência e a Tecnologia
Zero hunger
Openalex Percentile: Top 98%
Aesthetic Perception and Analysis
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