Shakespeare Engraved: Frontispiece and Bardolatry

The term Bardolatry has been used for over a century to describe the adoration of an Elizabethan playwright, Shakespeare, but the causes of this phenomenon have not been fully elucidated. The study explores the nature of this worship produced and disseminated by various theatrical cultures during the long eighteenth century. To understand the formation of the phenomenon, this paper examines the shifts in the engraved frontispieces, taking The Tempest as an example.

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Publication Details

Journal
Multicultural Shakespeare Translation Appropriation and Performance
Published
2024-12-30
DOI
https://doi.org/10.18778/2083-8530.30.10
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Shakespeare Engraved: Frontispiece and Bardolatry

Kazuki Sasaki
Multicultural Shakespeare Translation Appropriation and Performance
Shakespeare, Adaptation, and Literary Criticism
article

Shakespeare Engraved: Frontispiece and Bardolatry

Kazuki Sasaki
article en

Abstract

The term Bardolatry has been used for over a century to describe the adoration of an Elizabethan playwright, Shakespeare, but the causes of this phenomenon have not been fully elucidated. The study explores the nature of this worship produced and disseminated by various theatrical cultures during the long eighteenth century. To understand the formation of the phenomenon, this paper examines the shifts in the engraved frontispieces, taking The Tempest as an example.

Multicultural Shakespeare Translation Appropriation and PerformanceVol. 30(45)
Akita University (JP)
Openalex Percentile: Top 58%
Shakespeare, Adaptation, and Literary Criticism
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