‘Love Came Down at Christmastime’: Pedagogical Purpose and Religious Devotion in Christina Rossetti’s Christmas Carols

This article argues that three of Christina Rossetti’s Christmas-themed poems – ‘A Christmas Carol’ (1876), ‘Christmastide’ (1885), and ‘A Christmas Carol, for my Godchildren’ (1886) – attempted to reclaim a religious-based Christmas poetics that centralised Christian meditations on Christ’s significance to Christmas over growing nonsectarian celebration in the nineteenth century. Further, in the twentieth century, these poems were part of a growing religious based pedagogical repurposing, which thrust Rossetti’s poetry into the debate about the use of outwardly religious material in the classroom.

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Publication Details

Journal
Victoriographies
Published
2025-02-11
DOI
https://doi.org/10.3366/vic.2025.0556
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

‘Love Came Down at Christmastime’: Pedagogical Purpose and Religious Devotion in Christina Rossetti’s Christmas Carols

Christian Gallichio
Victoriographies
Musicology and Musical Analysis
article

‘Love Came Down at Christmastime’: Pedagogical Purpose and Religious Devotion in Christina Rossetti’s Christmas Carols

Christian Gallichio
article en

Abstract

This article argues that three of Christina Rossetti’s Christmas-themed poems – ‘A Christmas Carol’ (1876), ‘Christmastide’ (1885), and ‘A Christmas Carol, for my Godchildren’ (1886) – attempted to reclaim a religious-based Christmas poetics that centralised Christian meditations on Christ’s significance to Christmas over growing nonsectarian celebration in the nineteenth century. Further, in the twentieth century, these poems were part of a growing religious based pedagogical repurposing, which thrust Rossetti’s poetry into the debate about the use of outwardly religious material in the classroom.

VictoriographiesVol. 15(1)
Emory University (US)
Openalex Percentile: Top 98%
Musicology and Musical Analysis
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