The ‘good story’ and kindness Twitter: Tales of hope and fears of dupery during Covid-19

There is a long history of investment in solidaristic stories in the face of social upheaval, threat or conflict, and this was especially evident in relation to Covid-19. This article examines the way that one such narrative – the idea of kindness – was drawn on by Twitter users during the pandemic. Setting it in the context of a wider cultural preoccupation with kindness that both predates and continues beyond the pandemic, we draw on empirical research to develop the concept of the ‘good story’: a compelling collective narrative about goodness that carries with it anxieties about authenticity and dupery. We argue that ambivalences are inherent in the good story but are especially prominent in an age of social upheaval, polarisation, digital interaction and uncertainty. Such ambivalences cannot be wished away but need to be worked with, theoretically and practically. The good story is one tool for beginning to do this.

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Publication Details

Journal
The Sociological Review
Published
2025-02-10
DOI
https://doi.org/10.1177/00380261251315231
Citations
1
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
3.87
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article

The ‘good story’ and kindness Twitter: Tales of hope and fears of dupery during Covid-19

Youssef Al Hariri, Simon Anderson, Julie Brownlie
1 citations
The Sociological Review
Gender, Feminism, and Media
3.87
article

The ‘good story’ and kindness Twitter: Tales of hope and fears of dupery during Covid-19

Youssef Al Hariri, Simon Anderson, Julie Brownlie
article en
1 citations

Abstract

There is a long history of investment in solidaristic stories in the face of social upheaval, threat or conflict, and this was especially evident in relation to Covid-19. This article examines the way that one such narrative – the idea of kindness – was drawn on by Twitter users during the pandemic. Setting it in the context of a wider cultural preoccupation with kindness that both predates and continues beyond the pandemic, we draw on empirical research to develop the concept of the ‘good story’: a compelling collective narrative about goodness that carries with it anxieties about authenticity and dupery. We argue that ambivalences are inherent in the good story but are especially prominent in an age of social upheaval, polarisation, digital interaction and uncertainty. Such ambivalences cannot be wished away but need to be worked with, theoretically and practically. The good story is one tool for beginning to do this.

The Sociological Review
University of Edinburgh (GB)
Openalex Percentile: Top 11%
Gender, Feminism, and Media
3.87
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