The Interlaced Arches and the So-Called sebka Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile

In this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called sebka decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the origin of this ornamental motif that is so recurrent in the Andalusian architectural panorama and to analyse not only its compositional scheme but also the different formal variants that arose around it. Furthermore, its use in other buildings in the Kingdom of Castile is a further indication that allows us to approach a scenario where cultural and artistic transfer between al-Andalus and the Christian territories was a reality.

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Journal
Arts
Published
2025-02-10
DOI
https://doi.org/10.3390/arts14010016
Primary Topic
Historical Studies of Medieval Iberia
Type
article
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article

The Interlaced Arches and the So-Called sebka Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile

Ignacio González Cavero
Arts
Historical Studies of Medieval Iberia
article

The Interlaced Arches and the So-Called sebka Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile

Ignacio González Cavero
article en

Abstract

In this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called sebka decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the origin of this ornamental motif that is so recurrent in the Andalusian architectural panorama and to analyse not only its compositional scheme but also the different formal variants that arose around it. Furthermore, its use in other buildings in the Kingdom of Castile is a further indication that allows us to approach a scenario where cultural and artistic transfer between al-Andalus and the Christian territories was a reality.

ArtsVol. 14(1)
Universidad Autónoma de Madrid (ES)
Openalex Percentile: Top 95%
Historical Studies of Medieval Iberia
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