The Forum Marsyas on 1st-c. CE lamps

Abstract A 1st-c. CE lamp from Cyprus, now in the Metropolitan Museum of Art, features a discus design of a satyr on a base before an enclosure. Formerly identified as a nude silenus, the design on this lamp and others with the same decoration in fact illustrates a motif after the Forum Marsyas statue from the Forum Romanum. The statue is typically understood as a symbol of civic libertas , and copies were erected in provincial fora and depicted on civic coinage in the 2nd and 3rd c. CE. This note argues that the lamps enhance our understanding of the Forum Marsyas in two respects. First, the lamps demonstrate that the motif was in provincial circulation ahead of the sculptural and numismatic trend. Second, it is now clear that the Forum Marsyas was used in private contexts, and potentially with a non-civic meaning, more extensively than previously understood. The lamps are therefore significant for understanding the provincial spread and legibility of this important but still enigmatic motif.

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Publication Details

Journal
Journal of Roman Archaeology
Published
2024-12-01
DOI
https://doi.org/10.1017/s1047759424000333
Primary Topic
Classical Antiquity Studies
Type
article
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article

The Forum Marsyas on 1st-c. CE lamps

Robyn Le Blanc
Journal of Roman Archaeology
Classical Antiquity Studies
article

The Forum Marsyas on 1st-c. CE lamps

Robyn Le Blanc
article en

Abstract

Abstract A 1st-c. CE lamp from Cyprus, now in the Metropolitan Museum of Art, features a discus design of a satyr on a base before an enclosure. Formerly identified as a nude silenus, the design on this lamp and others with the same decoration in fact illustrates a motif after the Forum Marsyas statue from the Forum Romanum. The statue is typically understood as a symbol of civic libertas , and copies were erected in provincial fora and depicted on civic coinage in the 2nd and 3rd c. CE. This note argues that the lamps enhance our understanding of the Forum Marsyas in two respects. First, the lamps demonstrate that the motif was in provincial circulation ahead of the sculptural and numismatic trend. Second, it is now clear that the Forum Marsyas was used in private contexts, and potentially with a non-civic meaning, more extensively than previously understood. The lamps are therefore significant for understanding the provincial spread and legibility of this important but still enigmatic motif.

Journal of Roman ArchaeologyVol. 37(2)
University of North Carolina at Greensboro (US)
Openalex Percentile: Top 59%
Classical Antiquity Studies
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