Consistency and discrepancy in fine art investment: upward bias in investors’ expectation

Purpose Art investment is generally believed to be risky with a high expected return. In this paper, we empirically find that art investors’ behavior is consistent with this general belief, showing consistency between their perception and behavior. Design/methodology/approach Using the Fama–French asset pricing factor models, we conduct an empirical investigation into fine arts investment in relation to financial risk factors. The risk and return profiles of art investments are then compared with those of traditional investments to determine alignment with investor perceptions. Findings We find that art investment is riskier than other traditional assets but does not provide enough financial gain to compensate the art investor, which indicates that it is not as attractive as it is believed. While there is consistency between art investors’ perception and behavior, there is also a discrepancy between their perception and reality. Originality/value The research identifies potential reasons for this misperception and highlights the non-monetary benefits and hidden sources of utility, suggesting that art investors may still be rational despite the less attractive financial performance compared to traditional assets.

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Publication Details

Journal
Review of Behavioral Finance
Published
2025-02-07
DOI
https://doi.org/10.1108/rbf-07-2024-0200
Citations
2
Primary Topic
Art History and Market Analysis
Type
article
Field-Weighted Citation Impact
53.86
Controls
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article

Consistency and discrepancy in fine art investment: upward bias in investors’ expectation

Keunbae Ahn, Jiye Ryu, KiHoon Hong, Iain Kilpatrick Robertson
2 citations
Review of Behavioral Finance
Art History and Market Analysis
53.86
article

Consistency and discrepancy in fine art investment: upward bias in investors’ expectation

Keunbae Ahn, Jiye Ryu, KiHoon Hong, Iain Kilpatrick Robertson
article en
2 citations

Abstract

Purpose Art investment is generally believed to be risky with a high expected return. In this paper, we empirically find that art investors’ behavior is consistent with this general belief, showing consistency between their perception and behavior. Design/methodology/approach Using the Fama–French asset pricing factor models, we conduct an empirical investigation into fine arts investment in relation to financial risk factors. The risk and return profiles of art investments are then compared with those of traditional investments to determine alignment with investor perceptions. Findings We find that art investment is riskier than other traditional assets but does not provide enough financial gain to compensate the art investor, which indicates that it is not as attractive as it is believed. While there is consistency between art investors’ perception and behavior, there is also a discrepancy between their perception and reality. Originality/value The research identifies potential reasons for this misperception and highlights the non-monetary benefits and hidden sources of utility, suggesting that art investors may still be rational despite the less attractive financial performance compared to traditional assets.

Review of Behavioral FinanceVol. 17(3)
National Pension Service (KR), Hongik University (KR)
Openalex Percentile: Top 0%
Art History and Market Analysis
53.86
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Consistency and discrepancy in fine art investment: upward bias in investors’ expectation — Keunbae Ahn, Jiye Ryu, et al. · Review of Behavioral Finance (2025) | TGRS Research Map | TGRS