Musical-theatrical Global South roundtables: Selected excerpts
In January 2024, Masi Asare and Emilio Méndez convened three Zoom conversations with artists and researchers from around the globe on the topic of the ‘Musical-Theatrical Global South’. Below are excerpts from these conversations, lightly edited for clarity. These excerpted comments are collectively organized around five themes that recurred across the roundtables: (1) the relevance of the term musical in Global South contexts, (2) language and translation, (3) Indigenous and popular musical elements, (4) migration and transnational travel and (5) forms of musical-theatrical performance. This last theme, about form, can be understood to directly respond to and expand upon the first theme about terminology and ways of defining ‘the musical’.
Authors
- Masi Asare (ORCID: https://orcid.org/0000-0001-6452-7352)
- Emilio Méndez (ORCID: https://orcid.org/0000-0002-0068-7856)
Institutions
- Universidad Nacional Autónoma de México (MX)
Publication Details
- Journal
- Studies in Musical Theatre
- Published
- 2024-12-01
- DOI
- https://doi.org/10.1386/smt_00174_7
- Primary Topic
- Musicology and Musical Analysis
- Type
- article
- Field-Weighted Citation Impact
- 0.00