Two perspectives regarding post-Enlightenment violence: In an Antique Land by Amitav Ghosh and Nocturno de Chile by Roberto Bolaño

In this article, we review two different visions regarding the relationship between Western Civilization and violence, two strategies used to expose the dark side of Enlightenment and the ways to overcome it. In In an Antique Land (1994), we examine Amitav Ghosh’s attempts to modify the modern/colonialist practice of anthropology, shifting the traditional axis of hegemony and subalternity, deconstructing the fixity of representation, and proposing a new, more horizontal and familiar relation with the Other. In Nocturno de Chile (2000), Roberto Bolaño exhibits how Enlightenment (and literature) has been used to hide and justify the deployment of violence. Also, we attempt to find Bolaño’s exit to that corridor, with apparently no way out.

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Publication Details

Journal
TRANSMODERNITY Journal of Peripheral Cultural Production of the Luso-Hispanic World
Published
2025-02-08
DOI
https://doi.org/10.5070/t4.42499
Primary Topic
Latin American Literature Studies
Type
article
Field-Weighted Citation Impact
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article

Two perspectives regarding post-Enlightenment violence: In an Antique Land by Amitav Ghosh and Nocturno de Chile by Roberto Bolaño

Alan Meller
TRANSMODERNITY Journal of Peripheral Cultural Production of the Luso-Hispanic World
Latin American Literature Studies
article

Two perspectives regarding post-Enlightenment violence: In an Antique Land by Amitav Ghosh and Nocturno de Chile by Roberto Bolaño

Alan Meller
article en

Abstract

In this article, we review two different visions regarding the relationship between Western Civilization and violence, two strategies used to expose the dark side of Enlightenment and the ways to overcome it. In In an Antique Land (1994), we examine Amitav Ghosh’s attempts to modify the modern/colonialist practice of anthropology, shifting the traditional axis of hegemony and subalternity, deconstructing the fixity of representation, and proposing a new, more horizontal and familiar relation with the Other. In Nocturno de Chile (2000), Roberto Bolaño exhibits how Enlightenment (and literature) has been used to hide and justify the deployment of violence. Also, we attempt to find Bolaño’s exit to that corridor, with apparently no way out.

TRANSMODERNITY Journal of Peripheral Cultural Production of the Luso-Hispanic WorldVol. 12(2)
Peace, Justice and strong institutions
Openalex Percentile: Top 98%
Latin American Literature Studies
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