Franziska Thun-Hohenstein. Das Leben schreiben. Warlam Schalamow. Biographie und Poetik

F. Thun-Hohenstein’s Das Leben Schreiben. Warlam Schalamow. Biographie und Poetik — the result of long-term archival and analytical research — is the experience in creating an intellectual biography of one of the main representatives of unofficial literature of the Soviet era. The reconstruction of Shalamov’s biography of a prisoner of Stalin’s concentration camps develops into an in-depth analysis of the crisis of humanism and the transformation of avant-garde aesthetics in the conditions of this crisis. The researcher pays special attention to how the writer’s ethical and aesthetic position was formed and attempts to fit the drama of his life and the analysis of his works into the context of Soviet culture in the 1920s–1970s. The book expressively demonstrates the view of a modern German researcher on one of the most dramatic episodes in the history of Russian culture.

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Publication Details

Journal
Voprosy literatury
Published
2025-02-05
DOI
https://doi.org/10.31425/0042-8795-2025-1-186-191
Primary Topic
German History and Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Franziska Thun-Hohenstein. Das Leben schreiben. Warlam Schalamow. Biographie und Poetik

A. I. Zherebin
Voprosy literatury
German History and Society
article

Franziska Thun-Hohenstein. Das Leben schreiben. Warlam Schalamow. Biographie und Poetik

A. I. Zherebin
article en

Abstract

F. Thun-Hohenstein’s Das Leben Schreiben. Warlam Schalamow. Biographie und Poetik — the result of long-term archival and analytical research — is the experience in creating an intellectual biography of one of the main representatives of unofficial literature of the Soviet era. The reconstruction of Shalamov’s biography of a prisoner of Stalin’s concentration camps develops into an in-depth analysis of the crisis of humanism and the transformation of avant-garde aesthetics in the conditions of this crisis. The researcher pays special attention to how the writer’s ethical and aesthetic position was formed and attempts to fit the drama of his life and the analysis of his works into the context of Soviet culture in the 1920s–1970s. The book expressively demonstrates the view of a modern German researcher on one of the most dramatic episodes in the history of Russian culture.

Voprosy literaturyVol. 1(1)
Herzen University (RU)
Openalex Percentile: Top 97%
German History and Society
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