Capturing Empire Through the Lens: Colonial Narratives and Power Structures in Henry Wellcome’s Expedition to Jebel Moya, Sudan

Abstract This paper explores the relationship between archaeology, photography, and colonialism at the site of Jebel Moya (Site 100), Sudan. We consider technical aspects of the photographic archive, the role of photographers, the manipulation of images to convey specific narratives, and the dispersal and reclassification of the Jebel Moya materials across various institutions. When Site 100 was first excavated by Henry Wellcome (1911–1914), Sudan had a Condominium government, rendering the country a British colony in all but name. Our work acknowledges the racial legacies of colonial rule and as such it engages with the community whose past is under discussion, emphasizing how photography served as an agent of Western colonial authority. It re-situates Jebel Moya and related archives in the Sudanese context, providing an enriched understanding of the site’s history, the workers who excavated it, and the various colonial power dynamics involved. Additionally, our current fieldwork recognizes that as a discipline, archaeology is deeply rooted in European colonialism and as such we extend inquiry beyond sites and artifacts and focus on colonial practices and representational encounters, pronounced power imbalances, and imperial values rooted in white dominance and superiority. Consequently, this study contributes to the reframing of Sudanese history and a more inclusive understanding of the past.