“AI is Soulless”: Hollywood Film Workers’ Strike and Emerging Perceptions of Generative Cinema

Why were Hollywood film workers striking or supporting strikes against AI in 2023? To investigate this question, we conduct participant observation on the picket line and interview 15 film workers, including 12 union members from SAG-AFTRA, WGA, and IATSE, as well as three non-unionized workers, across roles. From screenwriting to acting, our interlocutors described how studio use of AI might exacerbate wage squeeze, estrangement from embodied co-creation, rush for results, and inauthentic creativity. We find that film worker resistance to emergent and projected uses of AI echoes earlier technical developments, such as the incorporation of sound, color, HD, DVD, and CGI. These innovations initially sparked anxieties about the demise of cinema, but ultimately created new aesthetic possibilities and professions. We end with a reflection on core concerns for worker engagement, including topics of prophesy and the “soul” of sociotechnical labor.

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Publication Details

Journal
ACM Transactions on Computer-Human Interaction
Published
2025-02-06
DOI
https://doi.org/10.1145/3716135
Citations
7
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
21.92
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article

“AI is Soulless”: Hollywood Film Workers’ Strike and Emerging Perceptions of Generative Cinema

Daniela K. Rosner, Brett A. Halperin
7 citations
ACM Transactions on Computer-Human Interaction
Cinema and Media Studies
21.92
article

“AI is Soulless”: Hollywood Film Workers’ Strike and Emerging Perceptions of Generative Cinema

Daniela K. Rosner, Brett A. Halperin
article en
7 citations

Abstract

Why were Hollywood film workers striking or supporting strikes against AI in 2023? To investigate this question, we conduct participant observation on the picket line and interview 15 film workers, including 12 union members from SAG-AFTRA, WGA, and IATSE, as well as three non-unionized workers, across roles. From screenwriting to acting, our interlocutors described how studio use of AI might exacerbate wage squeeze, estrangement from embodied co-creation, rush for results, and inauthentic creativity. We find that film worker resistance to emergent and projected uses of AI echoes earlier technical developments, such as the incorporation of sound, color, HD, DVD, and CGI. These innovations initially sparked anxieties about the demise of cinema, but ultimately created new aesthetic possibilities and professions. We end with a reflection on core concerns for worker engagement, including topics of prophesy and the “soul” of sociotechnical labor.

ACM Transactions on Computer-Human InteractionVol. 32(2)
University of Washington (US)
Openalex Percentile: Top 1%
Cinema and Media Studies
21.92
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