„Egy jel vagyunk…”. Hölderlin mint Kant szubverzív olvasója

In my text, I will look more closely at the way in which Hölderlin transforms Kant’s ideas into his own philosophical-aesthetic programme and poetic inspirations. I focus mainly on two kinds of transitions: how the intellectual intuition becomes an aesthetic perspective, and how the identical idea of selfhood, kept alive in the chiasmus of reality/truth and possibility, is transplanted into a trope. What is really exciting is the way the lyrical self becomes the figure of the meaningless sign, or more precisely “a sign”. In his philosophical fragments, Hölderlin is confronted with the Kantian–Reinholdian–Fichtean heritage with great intensity, and I suspect that this experience does not pass away without a trace in him as a poet, and I would like to cite the second version of Mnemosyne as an example of this.