Anti-war themes in holographic art
War is a major issue of widespread societal concern, with its destructive impacts resonating deeply across the globe. Historically, numerous anti-war art pieces have not only delivered significant visual impact but have also provoked audience attention, reflection, and emotional resonance. Holography, as an innovative artistic medium, not only offers new ways of presenting content but also provides artists with a novel language for expression. This paper interprets historical holographic works on anti-war themes and explores the diversity and interactivity of this theme through experimental holographic artworks “Afterward” and “Aftermath”. These works provide viewers with new spatial and perceptual perspectives on the anti-war narrative.
Authors
- Yang Gao (ORCID: https://orcid.org/0000-0002-2150-5986)
- Jie Yang (ORCID: https://orcid.org/0000-0001-9637-3423)
- Shuo Wang (ORCID: https://orcid.org/0000-0001-6090-4077)
- Zhilin Zhu
Institutions
- Beijing Institute of Graphic Communication (CN)
Publication Details
- Published
- 2025-02-05
- DOI
- https://doi.org/10.1117/12.3057988
- Primary Topic
- Violence, Religion, and Philosophy
- Type
- article
- Field-Weighted Citation Impact
- 0.00