Tricksters, Travelers, and Other Places in Gloria Naylor’s <i>Mama Day</i> and Paule Marshall’s <i>The Chosen Place, The Timeless People</i>

This article explores the narrative representations of traveling, crossing, and identity formation in Gloria Naylor’s Mama Day and Paule Marshall’s The Chosen Place, The Timeless People. Informed by Henry Louis Gates’ analysis of the trickster archetype, the article casts a closer look at the role played by this symbolic figure in the two novels. Significant rites of passage require significant places, such as the “other place” in Mama Day or the “chosen place” in The Chosen Place, The Timeless People, which are the realm of the trickster. Deeply anchored in their island communities, these characters easily move between the supernatural and the mundane and facilitate access to cultural memory and personal identity. By juxtaposing these two works, the article argues that rites of passage, performed by bridge-like characters in culturally significant places, are essential for validating the characters’ inner and spatial journeys, ultimately assisting them in finding a sense of collective belonging and personal identity.

Authors

Publication Details

Journal
Papers in Arts and Humanities
Published
2025-02-04
DOI
https://doi.org/10.52885/vz4z7044
Primary Topic
Caribbean history, culture, and politics
Type
article
Field-Weighted Citation Impact
0.00
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article

Tricksters, Travelers, and Other Places in Gloria Naylor’s Mama Day and Paule Marshall’s The Chosen Place, The Timeless People

Florentina Rosca
Papers in Arts and Humanities
Caribbean history, culture, and politics
article

Tricksters, Travelers, and Other Places in Gloria Naylor’s Mama Day and Paule Marshall’s The Chosen Place, The Timeless People

Florentina Rosca
article en

Abstract

This article explores the narrative representations of traveling, crossing, and identity formation in Gloria Naylor’s Mama Day and Paule Marshall’s The Chosen Place, The Timeless People. Informed by Henry Louis Gates’ analysis of the trickster archetype, the article casts a closer look at the role played by this symbolic figure in the two novels. Significant rites of passage require significant places, such as the “other place” in Mama Day or the “chosen place” in The Chosen Place, The Timeless People, which are the realm of the trickster. Deeply anchored in their island communities, these characters easily move between the supernatural and the mundane and facilitate access to cultural memory and personal identity. By juxtaposing these two works, the article argues that rites of passage, performed by bridge-like characters in culturally significant places, are essential for validating the characters’ inner and spatial journeys, ultimately assisting them in finding a sense of collective belonging and personal identity.

Papers in Arts and HumanitiesVol. 4(2)
Openalex Percentile: Top 98%
Caribbean history, culture, and politics
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